Meriwether Blue decided to become a nun and start her own order separate from the Archdiocese, but more aligned with the high-flying nuns of Costa Rica—those avid, though seldom seen, forest dwellers for whom the soul can only be awakened in accordance with the sky....
Linked by their common use of embroidery, the 13 artists featured in Craft Contemporary's exhibition "Strings of Desire" bring the beautiful intricacy of thread to life. It is imperative to see these works in person to appreciate the effect of threads, yarns and...
Taking its name from The Chick's 1999 song "Goodbye Earl," Bambou Gili's solo Night Gallery exhibition is a beautiful, yet ominous, exploration of the power and potential of womanhood and female friendship. The exhibition loosely follows the song—the story of Mary...
Pairing Lempert’s tender black-and-white photographs with Saeed’s large, carved and painted slabs of styrofoam, this two-person exhibition is a poem about nature, scale and texture. A few of the unframed photos show a spider balancing on a human’s knuckle, its...
Robert Russell is a Los Angeles painter whose conceptually based process often begins with an internet search. Be it for other people named Robert Russell, artist's monographs, tea cups, or for his current exhibition, Allach porcelain figurines, Russell culls online...
Full disclosure up-front: I am well-acquainted with Zak Smith as an artist. Before we met (in 2010), I was aware of his work only because of his inclusion in the 2004 Whitney Biennial, and not incidentally because his work for that show had (what was for me) an...
This three-channel video installation will leave you entranced, smiling at its ridiculousness, and maybe with a New Order song stuck in your head. A beige inflatable couch in the gallery, which appears in the videos, invites you to sit and watch three different...
Richly colored, blossoming pseudo-portraits comprise Vanessa Prager's solo exhibition titled "Portraits" at Diane Rosenstein Gallery. Each painting depicts a bloom of vibrant flowers sprouting from the necks of the (assumedly) human subjects. Prager's works are a nod...
Walking through Edie Beaucage's show of sculptures and larger-than-life portraits is like wading through clouds of brushstrokes made of vivid greens, blues, and pops of orange, the subjects of the paintings staring coolly at you. In the following gallery, Jean Lowe's...
When Kehinde Wiley had the honor of being selected to paint a portrait of former President Barak Obama, it marked a historic moment as he became the first African American to paint an official US presidential portrait for the Smithsonian National Portrait Gallery....
Hard-edge painting has rarely been so romantic—or had such an enchanting soundtrack. Visual and musical artist Amadour’s exhibition of breezy architectural abstractions, "Echolocation" (even the name evokes a merger of sound and space), explores the recurring motif of...
Phillip K Smith III makes works that glow. His individual pieces and his installations share a kinship with California Light and Space artists like James Turrell, Robert Irwin and Larry Bell, as they are primarily about light and the nuances of shifting colors of...
Dear Reader, As long as there are people, there will be portraits. Face it—no pun intended—people are attracted to people. We like to look at ourselves; we like to people-watch; we gaze into our lover’s eyes. Our faces are unique and fascinating: they are who we are....
Congratulations to our winner, Tim Sassoon, and our finalists, Sasson's photo is seen above and first in our photo gallery in the March/April 2023 online edition of Artillery. The following photographs are the finalists. Please see the info below on how to enter for...
One of my favorite paintings is a portrait of myself at the age of five or so, composed by my father. Along with my siblings’ pictures and beyond the sentimentality, these portraits have become distinctive family emblems and historical markers, wrought at a time of...
Amid an ocean of color-mad paintings in Henry Taylor’s three-decade retrospective at MOCA is a colorless painted object: a black typewriter case overlaid with text of thick white coarse brushstrokes: I TRY To be Write aint TRY’n to be WHITE Simple rhythmic text...
Entering a room of portraits by Amir H. Fallah, the first thing you’ll notice is that you can’t see their faces: the figures are cloaked. In one, the subject sits draped in a richly patterned blue-and-purple shawl, cradling what looks like a gilded African head in its...
The afternoon we agree to meet for a quick Q&A over drinks, Helen Chung arrives at the restaurant slightly late (though not much later than me)—fittingly enough, from a commissioned portrait sitting. Engaged by the process, conversation and the resulting portrait...
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