Unlike Dante Gabriel Rossetti’s fascination with his models—whom he painted obsessively, much to the detriment of his painting—Robert Mapplethorpe’s photographs of Lisa Lyon show no signs of such frustration. Rossetti was like a man locked outside of a house to which...
LIVELY UP LA ARTS DISTRICT INTERVIEW WITH JENNI SORKINHauser Wirth & Schimmel launched with a bang on Sunday, March 13, opening its doors in a former flour factory in Downtown LA with the exhibition “Revolution in the Making: Abstract Sculpture by Women,...
The world of contemporary popular culture has largely left the biosphere behind, for a world of limitless extraterrestrial space. It is not so different from the contemporary avant-garde, which remains a cerebral, intramural phenomenon. It takes an extraordinary,...
One of my favorite photo monographs by Kahn & Selesnick is an accordion-folded book that stretches out to 19 feet when it is fully unfurled. There is a narrative involving an Edwardian moon mission that is rescued by the Apollo astronauts. A version of these...
Virginia Broersma’s exploitation of wet-on-wet painting is not simply self-indulgent, it is lavish, extravagant, and delirious, amplifying what is already a relatively excessive technique into an over-the-top visual experience, at once ecstatic and excruciating....
From 1973 to 1985, Chris Killip lived among and photographed working-class and underclass communities in the north of England whose livelihoods depended on traditional heavy industry. His subjects include the declining coal mining and shipbuilding cities of Tyneside,...
Sant Khalsa isn’t reticent about her artistic influences. In artist statements, she points to the photographs of Walker Evans, Ed Ruscha, and the Bechers as impactful on her own practice of photographing landscapes of the Southwest, particularly those of Southern...
Every surface, each object of Aaron Fowler’s thirteen assemblage paintings in “Blessings On Blessings,” has been contemplated, touched and worked to build layers of meaning and matter that cohere and disrupt. Dimensionality—of ideas, materials, possible readings—is...
Christopher Richmond’s “Double Fantasy,” a pairing of his videos Panthalassa (2015) and Rendezvous (2016) in his solo debut at Moskowitz Bayse, like much video work, challenges the audience, understandably not wanting to be easy or mere “entertainment.” Brimming with...
Linda Arreola’s debut as an artist was as a sculptor and installation artist. She’s also an architect; and her show, “Architect of the Abstract,” a survey of work curated by William Moreno from 2005 to 2016, is very much the work of an architect who has crossed over...
Like many Cuban artists, Aimée García has learned how to avoid censorship while still communicating her message and ideas. In García’s current body of work titled “Suprematist Speech,” she combines self portraiture with appropriated fragments from the government...
Kim Abeles’ aptly named “Portraits and Autobiographies,” which explores the boundaries between photographer and subject with intimate self-portraits and sculptures, features silver print photographs produced from 1979 to 1983 along with assemblage and digital prints...
In this two-person exhibition of paintings, drawings, collages, sculptures and writing, Rebecca Campbell and Samantha Fields mine their own personal histories, passing them through the filters of their respective multifaceted art practices, and elevate them to models...
With multimedia and hybrid disciplines on the rise, photographers, and artists who incorporate photographic materials and techniques into their work, continue to find ways to step further outside the boxes of camera and frame. Los Angeles–based Owen Kydd, who has...
Abel Alejandre's meticulously crafted charcoal drawings address the complexities of the human experience with eloquence and power. "Public Secrets" represents an amalgam of acrylic paintings (and paintings on hats) that memorialize the richness of the world we live...
Memories, like dreams, are fleeting and fragmented. In her engaging exhibition "Hitched to everything else," Jennifer Celio explores where past and present, personal and global intersect. Close to 100 hexagonal wooden panels (ranging in size from three to 48 inches)...
More often than not we attend gallery openings all over LA with our friends and colleagues that work within the art industry. They’re comfortable with the scene, know what to expect, and digest the art through an agreeable lens, fundamentally understanding the work if...
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