Even more than its predecessor, the first Getty Pacific Standard Time initiative that ignited Los Angeles’ arterati six years ago, PST: LA/LA conjures a kind of Aleph-like quality in its ambition to encapsulate at its widest points the art of an entire continent, an archipelago of islands, and the appended LA metro region. Geographic and other (cultural, historical, colonial, identity, conquest)...
Mid-Wilshire 1301PE Jorge Mendez Blake 0/9–10/21/17 1301pe.com Sprüth Magers, Los Angeles David Lamelas: “Time as Activity” 9/7–10/21/17 spruethmagers.com The Loft at Liz’s “South of the Border” 10/8: 7–9pm: author Eileen Truax panel discussion 10/17: 7–9pm: “Alienated” special performance by Johan Miranda theloftatlizs.com JACK RUTBERG FINE ARTS Hans Burkhardt in Mexico 9/23–12/23/17...
Dr. Lourdes I. Ramos was recently appointed as President and CEO of the Museum of Latin American Art in May. Previously, she served as Executive Director and Chief Curator of the Museo de Arte de Puerto Rico for 12 years. She is the first Latina to hold the position at MOLAA. How has the museum field recently changed for women, specifically Latina women? The presence of Latina professionals in...
Holland has an illustrious past and rich history in art, from golden age painters Rembrandt and Vermeer through modernist legends van Gogh, Mondrian and the de Stijl group, Cobra Dutch artists and expatriate Willem de Kooning, to enigmatic Conceptualist Bas Jan Ader, who disappeared in 1970 sailing a small boat across the Atlantic Ocean. Today, there is a thriving art scene centered around...
Cesar Cornejo sees artists as outsiders. They confront things that other people won’t—or can’t—see, the Peruvian-born artist told me in an interview in May, three days after the opening of “Building As Ever,” OCMA’s 2017 California-Pacific Triennial. His site-specific installation in the Triennial is part architectural intervention, part sculpture/ architectural model built out of materials...
Russian exile Lev Rukhin creates grand works of realism tinged with just enough peculiarity to suggest doubt. They are dreamlike—much of the imagery is suspended in a nimbus—and implies both memory and trickery. This device is quite intentional; the exhibition is...
The first iteration of Documenta, curated by Arnold Bode, took place in 1955. Since then, every five years for 100 days, Documenta occupies the city of Kassel, Germany. More often than not, it is an international showcase of current trends and ideas in contemporary...
The City of Namara is a fictitious place created by Robert G. Achtel. In the photographs that define this curious and digitally fabricated location, Achtel presents Namara as a place devoid of people and filled with modernist architecture. Each building is shot...
If the endpoint of a viewer's perception in art is to re-create something in the mind's eye through one's own experience of the artwork, then the work of art is demonstrative. It acts as a catalyst for the imaginative re-creation of something the artist is pointing at...
Having gone through a recent breakup, the theme of Sam Anderson's show, "Lunch Hour," felt all too familiar as the artist examines cyclical narratives of desire and disappointment. At first glance, the show at Tanya Leighton gallery feels like a departure for those...