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Argentina sometimes tosses the world an indescribably singular artist. There was Leon Ferrari, whose Vietnam-era political pieces inspired widespread spite and repression. And now there is Guillermo Kuitca. Since his 2007 Venice Biennale showing, he is perhaps his...
Beauty and the grotesque, foreign and familiar poetically intersect in “the living + soft center” at Kate’s Little Angel, an exhibition space in a renovated garage in the back of Kate Eringer’s home (Eringer is contributor to Artillery's Last Night column). Curated by...
Tandem shows by Candice Lin and Genesis Belanger divide François Ghebaly into two curious realms as materially engaging as they are thought-provoking. Each artist's work is replete with backstories of historical and anthropological purport. Incorporating weaving,...
Greyhounds sprint in front of Frank Stella paintings; songbirds perch before Rothkos; a metallurgist pours glowing popcorn from a giant crucible: These are just a few goings-on in "All of the Above," Ralph Allen Massey's entertaining painting show at bG Gallery....
Michael Massenburg’s paintings eddy about the boundaries of figuration and abstraction. The artist’s acrylic on paper and acrylic and collage on panel, earth-toned works, which seem to encircle first the one, and then, the other mode of painting, express an intuitive...
In the early 1980's, George Condo coined the neologism "artificial realism" to describe his unique manner of interpreting human contrivance through emotively exaggerative paintings. Rather than growing stale, his work only seems to increase in relevance as reality...
Littered with newsprint—though not from an actual newspaper, but instead, oversized diptychs (34 x 21 inches) printed with news photographs and headlines drawn from The New York Times—the gallery floor in York Chang’s installation The Signal and the Noise (all works...
Heidi Hahn's grandly scaled paintings lend iconic status to plain-Jane women going about quotidian routines. Breezily limned in free-flowing brushstrokes and translucent washes, her anonymous characters appear lost in dreamy, meditative worlds even as they shop,...
Roy Dowell seems to be forever attempting to reconcile physical actualities or their aftermaths with moments of apprehension or anticipation, agents or instrumentalities with their symbolic equivalents. Collage is his medium par excellence, but in recent years, his...
As noted in 1001 Things Everyone Should Know about African American History (1996) by Jeffrey Stewart, Althea Gibson received her first tennis racket in 1940, being barely a teenager. She was not only the first African American to win a women’s singles at Wimbledon;...