I was urged electronically to go see Dutch theater company Wunderbaum on its last night in LA at the REDCAT with no details other than superlatives (which, however, managed to get a bunch of us on that contact list out). I knew it had something to do with LA artist Paul McCarthy’s work, and the troupe was pegged as “raw” and “political.” They had been developing the work as artists in residence...
Though the annual festival known as Burning Man has received the occasional serious sniff from the art world, my overall anecdotal accounting of the festival rep in what one might call the high-end international art world has been one of mild disgust and pity. In general, art worlders like nothing better than to sneer at the post-hippie amateurs, as urbane Parisian aristocrats might sneer at...
"What's with the God look?” I had thought to ask him at one point over the course of a rambling interview conducted in the lead-up to LACMA’s opening of his retrospective—provocatively, ironically titled, “Pure Beauty.” A slightly exaggerated (to say nothing of irreverent) take on a persona which is, after all, pretty familiar to most people who frequent Los Angeles art galleries, and indeed...
This interview took place December, 2009, at the restaurant in Los Feliz at Fred 62. Zak ordered the spaghetti. Find this article in our Jan/Feb 2010 issue; Artillery's first Biennial Sex Issue...(time for another!) https://artillerymag.com/product/janfeb-2010/ ARTILLERY: Do you believe in God? ZAK SMITH: No. (Pauses, then smirks). Okay, you can’t scientifically disprove it, so maybe...
IT'S true of the digital times that libido drives technology, but according to my friend Sergio Messina, porn is not only the engine of the Internet but the bona fide locus of art. And he's on a mission to prove it: "At the very least it's the perfect metaphor for the potential of digital media and a new paradigm of content production, a great example of how the world should be," he says, with...
It was two years ago when I first saw Susan Anderson’s photographs at an art fair in New York. They were images of little girls all dolled up, seemingly for one of those kiddie beauty pageants. I was struck by the pictures for several reasons: The photographs displayed composition, skillful technique, over-the-top glamour and saturated color; the little-girl beauty pageants are fascinating for...
Tracking down George Legrady for an interview can be tricky. A man who juggles art and science for a living has a lot of demands on his time. Hence, I found myself at a panel discussion on Database Aesthetics at the convention center in Los Angeles early one Saturday morning. The room was packed and I had to sit on the floor. Legrady was one of the panelists whose area of expertise is Data...
Waters once said, “To understand bad taste one must have very good taste.” And after seeing his place in San Francisco, I would have to say he practices what he preaches. Antique furniture, tapestries and decorative drapery adorn the small but elegant 1920s apartment in Nob Hill. Bookshelves line the walls. Very tasteful art (okay, some not so tasteful) hangs on the walls and fills every nook...
Pirates received its Los Angeles premiere at REDCAT recently: a visual and aural multi-screen feast/assault that covered all four walls of the theater. The audience, many of whom sat on the floor, were surrounded like the victims of the raid taking place onscreen(s). The only way out was through the exit door, which guilty-looking art lovers frequently resorted to, smiling awkwardly as they...
With today's digital era so rich in explicit displays of virtually every aspect of the human experience — including amateur exhibitions of bodily functions beamed to us live via webcam — the idea of museum exhibits raising hell in America may seem, well, passé? But a generation ago a handful of works by artists Robert Mapplethorpe and Andres Serrano ignited a national pissing match (if you will)...
Lou Andreas-Salomé, the psychoanalyst, writer and infamous lover, defined eroticism as “what ruptures the ego.” To enter into an erotic encounter is to break apart our neatly constructed selves, to invite destruction; it is also a chance for a volcanic eruption of...
The profoundly moving installation Ten Little Children Standing in a Line (One Got Shot, and Then There Were Nine) (1991), positioned to be the first work encountered in Parrasch Heijnen’s career-spanning survey of Mildred Howard, imparts a sense of the Oakland-based...
Mark Steven Greenfield’s latest paintings are expansive fields of gold leaf inset with depictions of Black Madonnas and other religious figures. They shimmer and radiate. Though some are adaptations of iconic Madonnas from art...
Intertextual play between the external world of nature and the internal world within the human psyche reigns supreme in Heather Day’s exhibition “Ricochet” at Diane Rosenstien Gallery. The large-scale abstract mixed-media works are delightfully fresh, with swaths of...
In a suite of charcoal, acrylic and 24K leaf paintings on canvas, Ferrari Sheppard blends compositional citations from the Western art historical canon with an affecting, humanistic narrative of diasporic Black life. Across the mostly large-scale works, Sheppard...
In her solo show “Your Words in My Mouth,” Camilla Taylor has created a body of work which, beautiful as it is, aches with bitterness and sorrow. While the sculptural works are ebony, white and gray standouts, the exhibit’s opening salvo includes a series of 10 x 8”...
In the world of appointment-only gallery visits, many have bemoaned the more restricted experience, and galleries themselves have completely reinvented the way that they conduct themselves. They are no longer able to attract visitors off the street nor draw large...
Colleen Hargaden’s latest exhibition at Hunter Shaw Fine Art is many things: a tool kit to survivalism and self-reliance in reaction to the ever-intensifying symptoms of a dying planet, and a prompt to question what the future of art-making may look like by combining...
Hometown Proud, the debut documentary by Tyler Stallings and Naida Osline, speaks volumes to our current political and cultural environment. The project grew out of their interest in exploring social issues through their individual practices, for Stallings, as a...
It’s not that difficult to be contemporary. Be it through art, or writing, or simply conversation, we’re almost always discussing what’s right in front of us. It’s another thing all together to create something which takes on an entirely new meaning decades after...