Enrique Martínez Celaya is embarking on a new journey, and we are faithfully following in his wake. The masterful Cuban-American painter had his first solo exhibition in LA since 2015, “The Tears of Things,” at Kohn Gallery this September. The artist took full advantage of the gallery’s sweeping ceilings, working in his preferred large scale to create a body of work that reveals the nature of...
jill moniz has been a curator at the California African American Museum (CAAM) and is now principal of her own downtown gallery, Quotidian. She curated the current exhibition “LA Blacksmith” at CAAM. I understand that you have a PhD in cultural anthropology—how and when did you become interested in art? My mother was a curator, so I grew up in museums, art studios and around conversations about...
“You’ve caught me in a really good mood,” said Jeffrey Poe, as he sidled up to the bar of an upscale West Hollywood restaurant. “I’m sorry to hear that,” I said. “I was hoping to play up the ‘lonely at the top’ angle and find a backhanded way of comparing your fortunes unfavorably with mine. I guess I’ll have to ditch that idea.” “I’m happy because I bought a new piece of furniture,” said Jeff,...
Kristy Edmunds took over the reins of performing arts at UCLA at a time (2010–11) when the kind of avant-garde international theater and festival programming it was famous for seemed to be all but dropping from UCLA’s sightlines. But Edmunds’ purpose and seriousness were conveyed in the rebranding alone: the Center for the Art of Performance (“CAP” UCLA). Within a year, we had a treatment of the...
Three of the most storied artists in recent Los Angeles history were the subject of “Disappearing—California c. 1970” at the Modern Art Museum of Fort Worth (May 10–Aug 11, 2019), the show’s only venue. Despite the tight focus on just three artists, the exhibition encompassed the breadth of the radical experimentation of conceptual and performance art in Southern California in the ‘70s, a...
Still life meets prop table in a series of surreal symbolist tableaux, as painter Michael Hilsman inventories his dreams and sets the scene for unguessable actions to come, or inscrutable actions just past. In capacious landscape-based works, Hilsman offers horizon...
Steeped in noir, as visceral and real as a photograph or a frame plucked from a black-and-white film, the rich monochrome charcoal works of Eric Nash draw the viewer into a quintessentially Los Angeles world. While not a native of the city, Nash has embraced it with...
Los Angeles is a city of immigrants: over 200 different languages are spoken here. Every immigrant comes to this country with an already established identity. Each has to jettison their old identities and craft new, LA-based ones. Some do so by making art. One way to...
At the entrance to “Global Asias: Contemporary Asian and Asian American Art from the Collection of Jordan D. Schnizter and His Family Foundation” at the USC Pacific Asia Museum, stand two giant ceramic heads. One features a black-and-white striped neck, red crown and...
The quality and diversity of the work of Yolanda González—a painter, illustrator, printmaker and ceramic sculptor—makes a solo installation of her work long overdue. This current exhibition, with nearly a 100 pieces from the career of the 59-year-old LA–based Chicana...