Articles

ACCESS TO ABSTRACTION
Anne Libby and Anna Rosen Find Freedom in Collaboration

Communal and collaborative art practices have long appealed to artists as a means of disrupting the patriarchal mythology behind the solitary creative genius, and escaping the art-market matrix of competition and authorship. For the two Los Angeles–based artists behind Libby Rosen, Anne Libby and Anna Rosen, collaboration afforded them not only freedom from the ritual of production and...

THE HERE AND NOW OF IT
Acaye Kerunen Finds Purpose and Community in a Scarred Landscape

by Ezrha Jean Black

You’re in an otherwise familiar room or space, struck by how unusually airy and refreshed it seems. At the same time, wafting through the interior that constitutes your “mind’s eye,” you’re struck by a sense that, in one way or another, you’ve been here before. The art itself is like nothing you’ve ever seen before; but again, oscillating and permeating through it all is the sense of something...

THOUGHTFUL SPECTACLES
Made in L.A. 2023: ACTS OF LIVING" at The Hammer

by Shana Nys Dambrot

They say how a person does one thing is how they do everything, and the most recent edition of the Hammer Museum’s biennial, “Made in L.A. 2023: Acts of Living” (its sixth), put the axiom into practice. Curators Diana Nawi and Pablo José Ramírez, along with Luce Curatorial Fellow Ashton Cooper, proceeded from the intriguing perspective of selecting artists whose work deal in some essential way...

ILLUMINATIONS WITHOUT LIMIT
"William Blake: Visionary" At the Getty

by James Cushing

William Blake embodies a wild paradox in Western cultural history. The only great poet who was also a gifted painter, Blake was a barely educated autodidact whose ideas anticipated Freud, Marx and Einstein. Never published in his lifetime, The Tyger (1795) is now the most frequently taught lyric poem in American and British high schools and universities. His lifetime (1757–1827) dates him with...

BEST IN SHOW: ARTILLERY 2023 TOP TEN

by Ezrha Jean Black

Breathless is not always an indication of on-coming medical crisis or pathology. Events (including cultural events) can stop us short or knock the wind out of us. And although the experience may be more common at live music events, it happens in galleries and museums, too. But at the close of 2023, the breathlessness we may have experienced intermittently in galleries blurs with a breathlessness...

Scarlet Cheng’s Top Films of 2023
Fantasy Takes the Lead

by Scarlet Cheng

What a year for feature films this has been, both rich and strange. Indeed, fantasy seemed to have taken the lead, as we emerge from the fever of the COVID epidemic and try to find the new normal. These were not the usual escapist fantasies, but fantasies that spoke to our current, more conscious and more precarious state of being. Below are my personal choices for the best, in alphabetic...

Miami Art Week Report: Day 4
New Art Dealers Alliance Fair and a very Miami party

by Annabel Keenan

As Art Week races to a close, yesterday I headed downtown across the dreaded, traffic-filled bridge to the New Art Dealers Alliance (NADA) fair for my final full day here in Miami. While the fair opened on Tuesday, the busy week of competing events prevented me from getting there until Thursday. Really, it was the thought of sitting in gridlock traffic to cross the bridge that kept me away. As...

Miami Art Week Report: Day 3
A day at the fairs and a look inside the after dark events

by Annabel Keenan

Artillery is back with Day 3 in Miami Beach. The fairs are in full swing, the collectors are fighting for first access, and the tiny glasses of overpriced champagne are on offer at every opportunity. Yesterday, we started with the design highlight of the week: Design Miami/. Located just outside the Convention Center where Art Basel Miami Beach takes place, Design Miami/ is a refreshing...

Miami Art Week Report: Day 2
Elevate Española highlights the importance of public art, and the fairs begin

by Annabel Keenan

After a weekend filled with art and philanthropy in Palm Beach, we’re officially ready for the parties, fairs, and people-watching of Miami Art Week. Yesterday, Untitled Art and the New Art Dealers Alliance fairs opened to VIPs, and the heavy-hitting Art Basel Miami Beach and Design Miami/ open today. To kick off my week, rather than dive straight into the fair tents and convention center, I...

Miami Art Week Report: Day 1
New Wave Art Wknd Takes Over Palm Beach

by Annabel Keenan

Miami Art Week is back, which means the crowds are on the way to enjoy the beach, the sun, the stunning hotels, and the most coveted art the market has to offer. For those of us visiting from New York, the warm weather couldn’t have come at a better time. Throughout the week, Artillery will be taking you to the major fairs and public events, as well as a few VIP openings and private parties, in...

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Reviews

The Harrison Studio [Newton and Helen Mayer Harrison]
Survival Piece #1: Air, Earth Water, Interface or Annual Hog Pasture Mix (1970-71) at Various Small Fires

Organized in concert with the Getty’s PST ART initiative, this re-mounting of Survival Piece #1: Air, Earth, Water Interface or Annual Hog Pasture Mix (1970–71) — in keeping with the entirety of the Harrison collective’s output — is less about a “collision” (per PST’s...

Cai Guo-Qiang and cAI™
at the Los Angeles Coliseum

At dusk on September fifteenth, nearly 5,000 spectators gathered on the field of the Los Angeles Coliseum to view WE ARE: EXPLOSION EVENT FOR PST ART, a monumental daytime fireworks display by Cai Guo-Qiang* and his custom artificial intelligence model cAI™....

Nate Lowman
at David Zwirner

I’ll admit that before attending a press walkthrough for Nate Lowman’s “Parking” at David Zwirner a few weeks ago, I wasn’t familiar with Lowman’s oeuvre. The paintings first appeared to me thumbnail-size, attached to my iPhone invitation. I noted glowing, riparian...

Lotus L. Kang
at Commonwealth and Council

To experience lack is to be reminded of the boundaries of the self, of others. Lacking realizes the unassailable distance between you and everything you don’t and won’t ever have. Therein to lack enlivens desire, or does desire require a lack of something? Kang’s...

Eugenia P. Butler
at The Box

Butler’s threadbare saffron works-on-silk line the perimeter of the back gallery, floating forward and back, filling and falling as if breathing. Suspended by invisible supports and backlit, the delicate veils with their enigmatic marks and hand-drawn symbols...

Shirazeh Houshiary
at Lisson Gallery

Houshiary's mesmeric abstract canvases depose our human perception of scope and scale, engaging the macro and microscopic; they connect a single breath to the breadth of the sea, carbon's molecular structure to the structural integrity of a star. The intricate pencil...

Plugged In: Art and Electric Light
at Norton Simon Museum

Grouping art by medium is always too obvious, even when the medium in question has the pizzazz of electric light. This exhibition focuses on the years 1964-1970 but does not, otherwise, establish a clear throughline. Experiments with electric light were, indeed,...

Kevin Brisco Jr.
at albertz benda

Most figurative painting is terrible but these are surprisingly good. Brisco’s restrained brushwork produces a flat clarity that recalls Alex Katz but with harsh moody colors and lonesome figures which echo Edward Hopper’s sadsacks. Suburban homes appear as...

Meg Lipke
at SHRINE

These paintings have a slight hamfistedness, which suggests distance from their alternately whimsical, mystical, Modernist, and Premodern sources. The allusions and references here—like Lipke’s interpolation of Neolithic-era petroglyphs into Kandinsky-esque painting –...

Larry Madrigal
at Nicodim

With scraped knees, tangled sheets, and yesterday’s discarded clothes strewn across the floor, Larry Madrigal’s new evocative paintings at Nicodim showcase the artist at his strongest. In moments where his fluid and textured style strives to move beyond the sexual...

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