The Craft and Folk Art Museum—its unlikely frontage peering mischievously over Museum Row—has in the last few years come to the forefront of the LA art scene with its unpredictable exhibitions. Executive Director Suzanne Isken and her exhibition team (Holly Jerger, Exhibitions Curator; Andres Payan, Curator of Public Engagement; Sasha Ali, Manager of Exhibitions and Communications) have smartly...
The mighty Atlas Press—London-based purveyors of “pataphysical texts,” Dada documents, Viennese Aktionist manifestos, and Oulipo anthologies—has reissued a legendary art book that uses a tabletop cluttered with the detritus of daily life as a jumping-off point and ultimately comprised a postmodern who’s who of the international avant-garde from the 1960s.In 1961, Daniel Spoerri—a Swiss/Romanian...
Art Basel is serious business, with some 280 galleries taking part—most of them on two floors of Building 2 at the Messeplatz, Basel's sprawling convention center. The action starts with two days of previews on Tuesday and Wednesday, before the fair opens up to the public on Thursday, June 16. On Wednesday while taking the airport tram into town, I met a smartly-dressed art consultant from...
With June welcoming gay pride across the country, what better time to display and celebrate the range of LGBTQ, here called “queer,” arts in one of the largest cities in the U.S., Los Angeles. “Queer Biennial II: Yooth: Loss and Found”—whose title plays on the inventiveness and unruliness of youth (here, “yooth”), and how this yooth is engaged with loss (of an entire generation, aesthetics and...
On different occasions I have been told that I am “cold,” “unemotional,” “apathetic” and other adjectives for not giving a shit. I reason that I was born with a hole in my heart or in my limbic system, remedying outbreaks of rogue feelings alone in the privacy of a tear-drenched, blistering hot shower. It turns out it is the stories of strangers—sometimes twisted and kinky, always hurt and...
Artist Ai Weiwei takes himself down a notch before you can with the title of his Haines Gallery show, “Overrated.” The works are largely reiterations or extensions of previous work for which he is already world famous; works in which he subverts the authority of history and of the power establishment. To the left as you enter the newly reconfigured gallery hang the 40 photographs from his...
One of Los Angeles–based artist Audrey Wollen’s Instagram posts features an undated 1890s painting in which a nude woman reclines, examining herself in a mirror she is holding up to her face. Red beads are wrapped around the woman’s neck and ankle, bringing to mind Angela Carter’s The Bloody Chamber (“A choker of rubies, two inches wide, like an extraordinarily precious slit throat.”). Wollen...
“I’ve been going the wrong way for a long time … it’s sort of a reverse commute.” This is said by Todd Gray at the start of his 2010 performance, Caliban in the Mirror. This seemingly autobiographical, storytelling piece has Gray on stage with a few props—a camera, a large afro wig, a blackboard, a drum set—verbally leading the audience through his discovery of the right way to go with his...
Two hundred years ago, the hierarchy of subjects taught to academic painters placed history and mythology at the top, with landscape and still life at the bottom. This ranking followed the scala naturae, the ladder or scale of nature derived from Plato: God, followed by angels, demons, stars, moon, kings, princes, nobles, commoners, wild animals, domesticated animals, trees, other plants,...
The first to grow up in an image-centric world where the mass-dissemination of images via film, print and television started to infiltrate American culture on scales never before seen, those of the Pictures Generation found themselves grappling with notions concerning authenticity and authorship. Immersed within a world where the affluence of representation was starting to reveal its impact upon...
Towering more than six-feet high, three large glazed ceramic totems confront viewers who enter the gallery space. These works—Fakir’s Foot, Philosof’s Foot and Fantomas’ Foot, (all 2021–22)—by Brussels-based sculptor Eric Croes, function as the introduction to his...
This thoughtful, surprising, eclectic yet focused group bridges the gap between an elevated gallery presentation and the untamed wilds of the cryptoart space. “Elsewhere is a Negative Mirror” is organized around the theme of architecture. Displayed on high-res...
Thresholds—with their curious balancing act between two places, spaces or states—have always exercised a tremendous pull upon human imagination. It is, without even working at it, a naturally apt analogy for multiple types of transformation. The number of commonly...
Noelia Towers’ new collection of works, “Opening an Umbrella Indoors” (all works 2021), presents a world of dichotomies: pleasure/pain, soft/hard, natural/synthetic, obscured/vulnerable. The collection of paintings is consistent in its motifs of both overt and covert...
From George Washington’s celebrated portrait to Frank Sinatra’s mug shot, Raymond Logan paints a wide range of subjects with exquisite depth and color. His layered palette resembles sculpture, crafted of hue and shadow. While each portrait in his current exhibition is...
Capturing human dignity through drawing requires commitment not only to clearly see but to deeply observe. Current works by Richard Wyatt Jr. at Steve Turner gallery encapsulates such an act. As a muralist in the tradition of such predecessors as Charles White, John...
Trinidadian artist Miles Regis searches for hope and meaning in the ugly and chaotic. An astute social commentator drawing from his experience as a Black man who emigrated to America 31 years ago, Regis imbues each canvas with a rich visual narrative dealing with...
Karla Knight is sending us a message. With maps, symbols and UFOs, there are mysteries in every piece. Four decades worth of paintings, tapestries and drawings are on view in Knight’s first institutional solo show, “Navigator,” at The Aldrich Contemporary Art Museum...
“Let Me Talk” at The Brand Art Center has a lot to say. Curated by artists Ada Pullini Brown and Jill Sykes, the group exhibition’s inspiration comes from a fierce quote by Toni Morrison, stating “In times of dread, artists must never remain silent.” This varied body...
Survival is dependent on adaptability. But at what point will humans be willing (or forced) to become adaptable? Josh Kline's 16mm short film, Adaptation (2019–22), presents a future shaped by human destruction. New York City has become submerged by seawater due to...