It used to be about the art. It used to be that seeing (and being told to step back from) a Picasso was enough. But, once again, millennials have ruined it for everyone. Simply admiring a statue is as anathema as simply watching a movie without simultaneously texting, checking IMDb for where you recognize that actor from, and taking a selfie at the theater #lovegettingoffsocialmediaforabit!...
“Yayoi Kusama: Infinity Mirrors” at the Hirshhorn Museum and Sculpture Garden in Washington, DC, is an ambitious show by any stretch of the imagination, boasting six of Kusama’s Infinity Mirror Rooms together with a selection of other work from the remarkable 65-year career of the “world’s most popular artist” (according to a 2015 survey on museum attendance by The Art Newspaper). Kusama has...
Desert X, we love the name of this art biennial out in the Coachella Valley—“X” as the unknown, the sexy, the je-ne-sais-quoi factor. There is something mysterious and alluring about the desert, with its sere, sparse, wide-open expanses and its promise of possibilities. This one also conveniently offers some amenities, like posh hotels and spas, good restaurants, and hip rock concerts. The...
Jami Porter Lara stumbled upon both the subject and the medium of her current exhibition “Border Crossing” at the National Museum of Women in the Arts in Washington, D.C., while walking in the arroyos along the U.S./Mexico border in Arizona four years ago. Little did the New Mexico artist know then that she would end up showing this evocative work near the White House, where the sitting...
Most customers at Trader Joe’s have food on their minds. Not Ann Weber. While others grab favorite items off the shelves, the intrepid artist heads for the dumpsters. Perpetually on the lookout for cardboard boxes to transform into sculpture, she has an eye for colorful labels, crisp black letters and remnants of shipping tape, but she isn’t opposed to plain brown. “I love making beauty from...
This Spring, for the first time in the US, spectators can engage directly with the art and performance of the Berlin-based collective Rimini Protokoll (Helgard Kim Haug, Stefan Kaegi, and Daniel Wetzel) in City as Stage, a multidisciplinary work in two parts: 100% City, an immersive video installation housed at the MCASB, and Home Visit USA, a series of interactive performances hosted at...
Maybe every gesture that you make can birth a fresh way of living. Perhaps by merely looking over your shoulder, or touching the ground, you can create a brand new philosophy or a radical break with reality. So argued the dancers in the Trisha Brown Dance Company at the Getty Museum last Friday, on March 10. The nine performers assembled in the Getty’s Tram Arrival Plaza at 2 pm, all dressed in...
It’s cold. He looks even larger in his winter coat. He is a large man. Tall and broad-shouldered. In football, he might be a tight end; I’ve stood next to several players for the Bears. He would not seem out of place among such large men except that the hair on his head and beard is flecked with gray. He has just arrived at his studio—a swift bike ride from Soldier Field (yes, Chicagoans ride...
If there is anybody more unpopular in Mexico at the moment than President Enrique Peña Nieto, it is, of course, Donald J. Trump. After a long list of aggressions, rudeness and even “jokes” by Trump, and in the middle of a big domestic crisis—both political and economic, rooted in corruption of Mexican government, but aggravated by the imminent breakdown of the North American Free Trade Agreement...
Five years ago, San Francisco–based painter, sculptor and performance artist Ana Teresa Fernández woke from a long night’s sleep with a sudden inspiration: She would erase the border fence that divides the United States and Mexico. It was June, 2011. That October, President Barack Obama would announce the record deportation of nearly 400,000 people. The year before, the U.S. Senate rejected the...
There are few forces in the world as powerful as memory. Reconjuring the fleeting scents of former lovers and the chattering sounds of childhood, memory evinces that life is composed of so much more than the here and now; it summons impressions that both soothe the...
Working in a continuous exegesis of an overarching project, pursuing branching pathways to their conclusions then returning to the center and setting off again, Alison O’Daniel transforms elusive ideas and ambiguous experiences into concrete objects—still and moving...
The initial apprehension upon entry to Ei Arakawa’s exhibition took a few moments to subside. It was swiftly alleviated upon realizing that it is not an exhibition in the typical sense but more of a journey through a cardboard-constructed maze: a metaphorical...
Upon entering Helen J Gallery, the electric sounds produced by the neon lights of Ahn Hyong Nam’s dynamic sculptures pour into visitors’ ears and plunges them into the artist's reimagined matrix. As the show's title implies, "Automatic Nature," Ahn's work investigates...
Amir Zaki's exhibition 'On Being Here' presents hyper-real, large-scale color photographs of piers in Southern California. In each image, Zaki divides the composition into two sections, juxtaposing a view on the pier looking towards the ocean with another from the...
At the ICA Los Angeles, curators Marcelle Joseph and Legacy Russell have assembled 25 artists whose practices engage with the construction of identity and the self as subject –or, as Judith Butler puts it, The Condition of Being Addressable. This international and...
Kristopher Raos’ "No Escaping the Housework" is an eye-popping splash of vibrant color. His bold works are highly refined pop art which depict the packaging for a variety of different cleaning products. Technically untitled, each piece indicates a “product” name and...
A grotesque feeling of excitement and misery shivers through me whenever I encounter Mika Rottenberg’s work. Her stories of monstrous mechanisms of hypercapitalism are infused with a queasy comedy that reminds me of Julia Kristeva’s “laughter of the apocalypse”...
A pair of exhibitions each in their own manner engage with formula and intuition. In Portraits: Invented Subjects and Divergent Styles, 90 works (all acrylic on paper, 30 x 22 inches, 2015-22) by Nathan Redwood form a tight procession flanking the walls in grids and...
Lethal Amounts in Downtown LA is well known in the underground scene for being a venue which supports alternative music and outsider artists. This unconventional venue is the locale for Emma Ruth Rundle’s first solo show entitled Dowsing Voice. Rundle is originally...