Vera Arutyunyan coats her canvases with pigment and passion. For much of her 25-year artistic career, the Armenian-born artist’s bold abstract oil paintings have been expressions of her complex emotions as an immigrant building a new life in the United States. Growing up in the Armenian capital, Yerevan, Arutyunyan excelled in both art and science. While studying geological engineering at...
On an old oak-lined Pasadena avenue, I’m standing before an imposing wrought-iron gate to a stately Tudor mansion. In dappled afternoon sunlight twinkling beneath breezy treetops, this mysterious setting feels like the beginning of an Alfred Hitchcock movie. Sprawling far beyond, the colossal estate, which I recognize from a video in Ariana Papademetropoulos’ recent show at Wilding Cran Gallery,...
The paintings of Lenz Geerk are unprepossessing and quietly sublime, his figures poised inside singular moments of divine inscrutability as they consider the world around them, whether it be a dying flower or the pointed edge of a table. This sense of veiled mystery could be said to denote a distinctly German sensibility as there are obvious connections with artists like Ludwig Kirchner and...
In her Culver City studio on a late summer afternoon, encaustic painter, printmaker and educator Pamela Smith Hudson revealed the origins of her vocation as a “materials artist” dedicated to exploring the potentials of paint, clay, print and wax: “My dad was a cement mason,” she said, while surrounded by her liquid-looking charcoal, teal, rose and cream-white canvases. “Dad worked on the federal...
What does it mean to fall from grace? To really fall, from great heights, perhaps at first thinking you’re flying and only realizing too late that this was an illusion, probably induced by the drugs. That would explain why the world out there appears so eerie, so pink and gold, so velvety, so noir-ish. Still, it’s beautiful in an afterlife kind of way, the damp night air, the hot wafting breeze,...
Ushering in the new era of Trump, a sea of pink at the 2017 Women’s March became the first undeniable sign of mass resistance. A resounding response to “grab ’em by the pussy” and other far-flung insults that characterized the presidential election. For a while, the handmade, cat-eared hats were everywhere. One might even a draw a correlation between the Women’s March and its inclusion of Pussy...
Film and video artist Christopher Richmond has been interested in science fiction for as long as he can remember. When he was a kid, he rented videos based solely on the cover art; his favorites were sci-fi. “Any sort of surrealist landscape, I was sold,” he tells me during a conversation at his studio near MacArthur Park on a hot summer-like day in February. He was also fascinated by comic...
While there’s nothing new about teenagers making parody videos—which have been a part of popular viral culture since the existence of strap on-webcams, :NSYNC and the boredom of teen years—a recent parody clip has transcended the form. What began as a typical pop montage video, viewed across Russian social media, was transformed into a national political protest movement, a parody evolving...
The structure is made out of bamboo poles and stakes, secured with palm rope. It stretches from the side door leading out of the museum, crosses the small courtyard, and extends towards the street. The soft beige color of the Moso bamboo underscores the apparent simplicity of this tunnel/bridge, which was designed following the geometric and mathematical principles of the golden ratio and...
The photographic tableaux of Los Angeles–based Parisian transplant Reine Paradis evoke an ambiguity of place. The central focal point of each is a solo figure, played by Paradis, typically costumed in an A-line mini or similarly chic garment fashioned from transparent, tinted PVC; she is most often posed humorously or awkwardly—sometimes, heroically—in an iconic landscape, accompanied at times...
River Styx, curated by Brandy Carstens and Sara Lee Hantman, brings together a range of artists whose work is concerned with the interior and emotive forces of landscape that are spiritual, mythological, and metamorphic. Featured in the show include artists such as...
The nuance of intimacy is the focal point of James Cherry's solo exhibition at NOON Projects. Entitled "Fraternal"—a nod to both Cherry being a twin and to relationships amongst men—the exhibition presents as an exploration of relationships, specifically queer ones,...
Alison Saar’s diasporic deities are gestures of remembrance that honor the resilience of Black women. Reconfiguring and reclaiming the image of the Sable Venus, Saar depicts a series of women as spiritually charged warriors that are full of agency. This reclamation is...
Sometime during one of those unremarkable post-Christmas pre-New Year’s days I was scrolling Instagram endlessly. In between sponsored health food ads, I came across an installation image of one Adam Higgins’ hyperreal salad paintings at Chris Sharp Gallery. My...
Captivated by the spiritual and vibrational aspects of the natural world, Agnes Pelton renders the invisible forces that surge through life. While Pelton is not the only artist included in LACMA's survey exhibition "Another World," she is the most compelling and...
Creating large-scale figurative watercolor works is somewhat unique in contemporary Los Angeles art. Lena Moross is an exception, painting evocative portraits and full figures in this format. “Forgive and Forget” is a beautiful numbered series of 13 works using a...
Thirteen modestly-sized paintings comprise Chicago based artist Brad Stumpf's exhibition Shadow Plays. The paintings are beautiful, personal and intimate. Formally, Stumpf combines thickly applied paint that defines spaces—walls, desks and objects—with more sparsely...
Brandon Ndife's practice is grounded in vital materiality that considers matter as lively and metamorphic, bound to forces and encounters that push and pull, tumbling ceaselessly into rambunctious states of transformation. Biomorphic clusters of industrial and...
One half of Chicago’s famous corn cob buildings, formally known as Marina City, floats above a winding road in a mountain pass. It pierces a white void, which highlights the building’s delicate edges, the bite marks in its ocular facade. Below, light streams through...
Victor Estrada erupted onto the art world landscape with his confounding work in the 1992 Los Angeles MOCA exhibition, “Helter Skelter: L.A. Art in the 1990s,” along with other luminaries such as Harry Gamboa Jr., Megan Williams and Mike Kelley. What’s mystifying is...