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Almost since its inception, photography has been characterized by historians and critics as perpetually in crisis. The current divergent trends—a democratizing of the form through digital cameras and social media vs. the ontological investigation of the medium by...
In 1955, the 31-year-old Swiss photographer Robert Frank went looking for America, driving 10,000 miles across 30 states, in a kind of photographic enactment of Jack Kerouac’s beat novel, On the Road. If the novel functions today as a rite of passage for disaffected...
The Marjorie Cameron exhibition arrives before one enters the gallery. It comes on the streets of West Hollywood. Banners hang from every other streetlight, advertising the MOCA show, featuring the artist’s self-portrait. Cameron was the consummate Los Angeles...
Mark Steven Greenfield has been something of a fixture on the Los Angeles art scene since the 1970s, better known as an administrator and arts advocate than as an artist. Greenfield has not bowed out of high-profile art-related activity altogether, but he is now able...
Death, destruction, strife and pollution—the pairing of Kris Kuksi’s and Preston Daniels’ variations of dark sensationalism transport us to their version of artistically-mediated Armageddon, with each creating unique and hauntingly extravagant objects. Kuksi’s baroque...