The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
Georganne Deen did not become disillusioned by recent geopolitical events—she’s been feeling that way for a long time. It’s just that her newest paintings reflect certain newly topical aspects within the widening gyre of social entropy, expressing in both style and...
The late Mike Kelley's "Kandors 1999-2011" at Hauser & Wirth is literally and figuratively tenebrous. Deviating from Kelley's typical folksiness, this show exudes a clinical coolness. "Kandors" was his final major series. It centers on the fictional metropolis...
Is a collage comprised of assembled painted canvases a collage, a painting, or assemblage art? Does the semantics even matter? “Jabberwocky,” Josh Jefferson’s exhibition at Zevitas Marcus, plays with these boundaries. Jefferson created the collages (the gallery has...
A pair of concurrent shows at Craig Krull features paintings that, despite firm adherence to the tradition of pigment on canvas, appear to exist as other objects. Caroline Larsen squeezes vibrantly hued paint from pastry tubes into loopy ribbons and whimsical daubs...
Whatever one’s disposition, “ONE YEAR: The Art of Politics in Los Angeles” at Glendale’s Brand Library & Art Center provides fuel for thought and stimulus to action. Negotiating the polemics of the current political climate and the overarching sense of anxiety...