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Prints and drawings by three generations of Inuit women offer a fascinating glimpse into remote Canadian Arctic life at the Armory Center for the Arts. "Akunnittinni," the show's Inuktitut title translated as "between us," fittingly summarizes its convergence of a...
There she is, as if alive. She is haunting and haunted; a Hollywood Miss Havisham in her crumbling mansion. She was once a real person, a somebody, a fond recollection. But now gone gray in her decaying cinema—with seating just for one—she resurrects herself nightly...
John Divola is fascinated with the ruins we leave behind. He’s a trespasser by trade, wandering into suburban homes that have been abandoned or condemned, using his camera to document forgotten living rooms that have been stripped of human comforts and left to random...
When does an exhibition title effectively amount to a viewer advisory? I’m not sure Harry Dodge would consider the title of his current show at JOAN gallery, “Works of Love,” an instance of this. It’s not in any sense a caution, and the titles of the individual works...
Orientalist painting fantasies satirically intertwine with characters of anti-colonial resistance in “Les Femmes d’Alger,” Asad Faulwell’s ongoing portrait series recently exhibited at DENK. Drawing upon the rich legacies of Algerian War history, Islamic aesthetics...