Articles
Art Damaged
Race Place
Since 2018, I’ve made a point of catching the Made in L.A biennial at the Hammer Museum, and at times I’ve come away with mixed feelings toward the city’s most ambitious survey exhibition. While it is worth asking — as many critics before me have — whether or not a biennal is a worthwhile form for an exhibition, I won’t attempt to answer that question here. But even after taking into account the...
Capturing The Castle LA’s Coolest Apartment Gallery Leaves the Living Room
Harley Wertheimer wears many hats: The native Angeleno is founder and director of CASTLE Gallery, as well as co-owner of Hollywood’s Stir Crazy café, and up until recently he was vice-president of A&R at Columbia Records. While Wertheimer got his professional start in the music industry, he began paying closer attention to visual art when he started lightly collecting in 2015. He’s not sure...
An Indigenous Gaze Towards The Future Wendy Red Star Recontextualizes Native Culture in Outer Space
Growing up on the Apsáalooke (Crow) reservation in Montana, Wendy Red Star witnessed the ways her cultural heritage was practiced, performed and integrated into the daily lives of her tribe. These customs seemed deeply disconnected from the displays in history museums that rendered her people as ancient artifacts. Spanning self-portraiture, archival imagery, large-scale installations,...
My Favorite Cézanne The Only Impressionist Painting I Actually Like
Every time I say I don’t like Impressionism people lose their minds—and I get it, people love the stuff, can’t get enough. I admit that I sometimes say it just to freak them out, because you should see the looks. I mean, you’re probably looking at me like that right now. I can hear it too: But Western painters had never thought about light that way before! The way they deconstructed figures and...
Reviews
Olivia Mole at Gattopardo
The shower scene in Psycho. You know it, everyone’s seen it. Go to the end. We follow a trail of blood and water through the tub, then push in as it swirls down the drain. In this moment, always, I beg Hitchcock to follow the zoom, to continue completely down the...
Jingze Du at Steve Turner
Jingze Du’s exhibition “True Colors” features the most well-executed oils in recent memory and all of them are of cute animals. The animals are mostly uninflected white, and their cuteness is eerie and synthetic. The painting itself is restricted to points of defining...
T.J. Dedeaux-Norris at Walter Maciel Gallery
T.J. Dedeaux-Norris had already segued from performance and music to painting and printmaking before completing her MFA at Yale, but she foregrounds the performative aspect of her approach in “Breach of Confidentiality,” her debut solo exhibition at Walter Maciel...
Hiroshi Sugimoto at Lisson Gallery
The entrance to Hiroshi Sugimoto’s exhibition at Lisson Gallery, “Form is Emptiness, Emptiness is Form” is partially blocked by a curved wooden wall. The wall commands recognition, separating the exhibition from the outside world. It immediately invites the visitor to...
Lauren Bon at Honor Fraser
If the sculpture of concrete’s last big cultural “moment” (sometime in the 2010s) was typified by figurative and abstract cement statuary that merely winked at its Home Depot provenance, Lauren Bon foregrounds this material in all its blunt, obdurate force. “Concrete...