The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
Why, exactly, is Laura Owens’ art so compelling? This is a question I’ve been asking myself since I was in art school. Elusiveness seems intrinsic to her work’s magic, which in my mind boils down to two intertwined notions: possibility and freedom. Owens’ eclectic art...
Cécile B. Evans’ stand alone installation, “Something Tactical is Coming,” generates a deliciously satisfying SciFi dystopian theatricality. The bulk of the installation at Chateau Shatto is comprised of a production set from the second episode of her three-part video...
It is not as simple as a pixels-for-brushstrokes exchange, but there’s no getting around how Petra Cortright’s new digital compositions are in a heated conversation with paintings. Yes, the gestures she enacts on her computer or touch-screen tablet function in the...
Helen Rae’s lavishly executed drawings, saturated with colors, patterns and prints, exemplify the power of mere visuals to communicate. Rae, who was born deaf and is nonverbal, speaks vibrantly and voluminously through her evocative drawings currently exhibiting at...
At first glance the passionately colored mandala-like images of June Edmonds and the softly nuanced black-and-white drawings on photographs by A.M. Rousseau couldn’t appear to be more distant from one another. Underlying both of these artists’ work however is an...