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There is a feud taking place at CB1 Gallery; it sets in conflict the looking-glass and the hour-glass—our waning but resistant vigor versus our inexorable putrefaction. In her exhibition, revealingly titled in lower case the self-portrait sessions, Susan Silas...
Cindy Sherman's stunning retrospective at The Broad constitutes a compendium of fiercely iconic imagery that has, for decades, influenced our cultural vision of how women are represented in the media. The exhibition spans 20 years and represents the largest holding...
Street photography is one of the great genres of modernist photography, peaking at mid-century with the work of Robert Frank, Gary Winogrand, Helen Levitt and others who used the camera to capture the strange little extemporaneous moments one experiences walking city...
Agnes Martin, the great Abstract Expressionist painter (1912–2004), believed in cosmic connection. She labored over her famous grid paintings almost her entire professional life, except for a difficult break from 1968 until the early 1970s, and in them she strove to...
The international group of artists in “Beyond 2°” question the multidimensional impact of natural resource exploitation, in distinct cases, in different global locations, and in damning portraits of corporate gain at the cost of human rights and the environment. The...
Marilyn Minter’s is an art of amplification. This befits a painter and sometime photographer who came of age in New York in the 1970s; her frames of reference are feminism, the AIDS epidemic, photorealism and the Pictures Generation, equally. Minter’s work of the last...
Vestiges of the past can be found all over the West; dead and dying towns are replete with inklings of historic spirit in the forms of half-buried artifacts, wild animals and deserted buildings. Entering Catherine Fairbanks’ exhibition,” Two Chimneys” evoked the...
Carmen Argote is a Los Angeles-based multimedia artist who works directly in response to particular locations. Last year, she created a site- specific installation at the MAK Center where she traced the interior and exterior footprint of the Schindler house using...
With an observer’s detachment in the face of dire predictions of humanity’s demise from the rapidly developing field of artificial intelligence (AI), in “The Earth is Flat,” James Georgopoulos lifts from a trove of pop culture imagery adapted from film and other...
Joseph Heidecker’s collection of embroidered photographs at Craig Krull Gallery is a celebration of textile fauvism. The altered vintage photographs elicit a dissonant response, with subjects’ faces veiled in thread in an almost painterly manner that is reminiscent of...