I have often been encouraged to launch a Kickstarter campaign, but I have never been able to decide on a specific project that justifies urging potential donors to dig deep into their pockets on my behalf. There are so many Kickstarters these days and there is only so much money: One has to be selective about one’s contributions, and if one embarks upon such a campaign, it had better be for a...
With her “Untitled Film Stills,” Cindy Sherman played with the idea of the Hollywood sex symbol; she disappeared into one role after another, showing how art and film noir convention could collude to create sex appeal from the trappings of innocence and repression—and from the beauty and implicit dangers of dark shadows, startling camera angles, the open road and the American city.Now a genuine...
THAT WAS THEN THIS IS NOW. Ed Ruscha’s lithograph and the banner image for his 40-year survey at Gagosian Madison Avenue says it all: it was a different art world when Ruscha arrived in Los Angeles in 1956. Now, he’s blue chip and according to my editor, a celebrity—the inverse to the James Franco phenomenon. We’re shuffling through the names of various uber-successful artists, attempting to...
Editor’s Note: With the highly-coveted Pritzer-Prize awarded this year to architect Shigeru Ban—known just as much for his disaster relief projects and elegant, temporary paper-tube architecture as for his commercial and institutional works—we asked Martina to weigh in on the redefinition of “star” architecture in our age of instability.At the 2008 Venice Biennale, starchitects Frank Gehry and...
The image of “the road” is one of the metaphors most deeply embedded in the American cultural landscape, perhaps most poignantly for the inter-war generation that produced both Dennis Hopper (born 1936) and Jack Kerouac (born 1922) among so many others.Beginning in the early 1960s, Dennis Hopper produced a rich body of photographic work that has garnered ongoing critical and scholarly attention,...
What happens when you are trapped inside your home with those you love? As the pandemic begins to wane, some artists are reflecting and exploring the dynamics and conditions of the confinement we experienced last year. Elizabeth McIntosh’s solo show “Family” at Tanya...
The "17th International architecture Exhibition of Venice" is one of the first international events opening in time of COVID-19. The open question that Hashim Sarkis, the artistic director of the current Biennale Architettura, articulates in his proposal seems to be a...
Lawrence Calver’s first US show at Simchowitz Gallery, “On the Off Chance,” is one of the most fascinating studies in material of any show in Los Angeles that I’ve had the chance to review. Calver is not a traditional fine artist; his background is in creative...
Two side-by-side paintings face the gallery's front door, awaiting visitors like sentries. They have all the elements that characterize Naotaka Hiro's "Armor" exhibition, namely colorful swatches and fervid mark-making that expands from a vertical center line. The...
Guy Yanai is irreplaceable. Not simply his vibrant, structured style (though that too is unique,) each of Yanai’s paintings carries an air of individuality and transience. Seeing them for the first time is a new wave crashing on the shore of your subconscious, dousing...