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The standard museum retrospective brims with artworks supported with biographical and thematic information. “Roy Lichtenstein: Pop for the People” brims with biographical and thematic information supported with artworks. Neither the selection nor installation of the...
Well known as a fashion photographer, Vijat Mohindra has made a career of photographing artsy spreads and celebrity fashion shoots for glossy magazines. He is known also as a chronicler of pop-imp/provocateur Miley Cyrus. His perspective in “Always Believe that...
Although Genevieve Gaignard’s fair complexion and red hair enabled her to blend in with her white contemporaries while growing up in a Massachusetts’ mill town, her solo show at the California African American Museum reflects the internal conflict she experienced...
Erika Rothenberg’s “House of Cards” is as timely now as it was when it was first shown in 1992. In our changing political climate, Rothenberg’s satirical, ironic wit and insightful commentary resonate on multiple levels. Organized by themes, the hand-crafted greeting...
In 2008, Michelle Obama commissioned Mickalene Thomas to paint her official portrait, the first portrait of a First Lady who is a person of color. As a portraitist, Thomas knows that a pose is a performance—a deliberate, affected presentation of the sitter, their...
Allison Miller’s oeuvre is firmly and unequivocally rooted in the painting tradition, and yet is built upon a conviction, evident in her output over the past decade or so, to explore every inch of the possibilities, conditions and inherited clichés of painting. It...
In the darkened gallery, a single row of seats faces a large screen on which a series of images loop. These images run by in rapid succession with all of the characteristic flashes of light, scratches and stuttering of an acetate film. Transitions from one scene to...
In this era of information overkill, one may absorb endless volumes, yet the impact of each tale remains a solitary and private event, each word soaking in, one at a time, to imprint its distinctive mark on one’s being.A somber family legend took root in the mind of...
Even in December, the trees on Delancey Street have a coppery glow. It is not the glow of fall foliage, not on a Lower East Side thoroughfare better known for traffic than for signs of life. At least one gallery has bricked up its glass façade to keep out the sights...
Jordan Sullivan’s “The Divine Nothing” is clearly an indulgence in color and aesthetics, and it isn’t a bad thing. Sullivan’s work is strikingly painterly. The large format C-prints appear more like washes of watercolors than photographs, with their blissfully...