When we withdraw from other people out of choice, we call the result privacy. When someone forces us into seclusion, it’s kidnapping. The artist Carolina Maki Kitagawa’s new show at Eastside International Los Angeles, “Story’s End No. 1 // Continúa El Cuento Nº....
The Armory Show is 25 years old and bears little resemblance to the original Gramercy International Art Fair founded by New York Gallerists Colin de Land, Pat Hearn, Matthew Marks and Paul Morris. Held in the Gramercy Park Hotel the show was intimate, funky and fun....
“Sally Mann: A Thousand Crossings,” is a deeply satisfying survey exhibition of the photographer’s work which has traveled from the National Gallery of Art in Washington to the Peabody Essex Museum (Salem, MA) and is currently at LA’s Getty Museum. While attending the...
Diane Williams graces the cover of our March/April 2019 issue. Williams is interviewed by contributor Betty Ann Brown on page 40 in our print edition and on our website.
Desert X is back. Its inaugural year in 2017 saw 200,000 visitors from around the world flocking to see exciting, site-specific temporary art installations in the California desert. It was a beautiful thing – no walls, no cost, no barriers keeping anyone from...
Art Basel Miami is the art-world’s Super Bowl. With art, travel, parties and the beach, it was the perfect way to end 2018. At the end of a tiring but invigorating day of viewing art, you might have found yourself walking barefoot along a white-sand beach with a new...
Stacen Berg, senior director at Hauser & Wirth Los Angeles, joined the gallery in 2011. Founded in 1992 in Zurich by Iwan Wirth, Manuela Wirth and Ursula Hauser, the gallery now boasts branches in multiple cities, including London, Hong Kong and New York. When...
Christopher Russell graces the cover of our January/February 2019 issue. Russell is one of the top shows of 2018, selected by Staff Writer Ezrha Jean Black on page 30 in our print edition and on our website.
Van Gogh’s Mulberry Tree (1889) was a key work in my conversion to appreciating the pleasures of modern art. When I first saw it as an undergraduate student at UC Berkeley in the 1970s, it was still in the collection of the Palace of the Legion of Honor in San...
Yunhee Min is our cover artist in our November/December 2018 issue on Painting. Min is interviewed by Christopher Michno on page 26 in our print edition and on our website.
Reine Paradis is our cover artist in our September/October 2018 issue on Utopia. Paradis is interviewed by Christopher Michno on page 52 in our print edition and on our website.
See our feature on Ry Rocklen and his Food Group project on page 30 in our July/August issue. Subscribe today!
If a 1993 Chevrolet P30 step van found on Craigslist is not at the top of your gallery rounds list, think again. Gas Gallery, a mobile art space founded by curator Ceci Moss, has set up shop outside Night Gallery, The Pit, and most recently, BBQLA. Ceci found the van...
April Bey is our cover artist in our May/June 2018 issue on Identity Art. Bey is interviewed by contributor Anise Stevens on page 36 in our print edition and on our website. Also catch April Bey in our upcoming panel discussion on Identity Art, at Bermudez Projects,...
It’s starting to rain in Mexico City on Friday afternoon, but Rodrigo Feliz is, in fact, happy. That’s because on the second day of Material Art Fair’s fifth edition, it’s already clearly a triumph. Formerly director of Mexico City’s acclaimed Labor Gallery, Feliz has...
Gabriela Castillo, Hector, 2013, Cretacolor and charcoal on paper, 11 x 15 inches, courtesy of the artist. In our March/April 2018 issue, on Drawing. Read about Castillo's work and other artists in contributor Betty Ann Brown's article Seeing Reality, on page 34, and...
"Drawing is still basically the same it has been since prehistoric times. It brings together man and the world. It lives through magic." -Keith Haring, from Betty Ann Brown's piece. pg 34. The Drawing Issue, March-April 2018, hits newsstands today. Don Bachardy, Eli...
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