The “Never Built” exhibition at the Architecture and Design (A+D) Museum on Wilshire unearths gems from Southern California’s architectural history. The idea originated in 2009, and its extensive research and carefully curated selection by Greg Goldin and Sam Lubell...
In Irene Hardwicke Olivieri’s Subterranean Family (2013), a large woman crouches, her body sinking into the earth, weighed down by a patchwork of introspective self-images. One curls in a sphinx-like pose, her feline tail circling behind her back, as she clutches a...
“Speaking Tongues (The material of communication)” introduces Duane Paul's considerable talent and ability in the artist's first solo exhibition. The show’s 12 works (all 2013) are divided into three sections or “dialect clusters:” six works on paper, two...
The buzz around San Francisco’s new art hub—near the Design District along a stretch of Utah Street and nearby Potrero—resonates throughout Jack Fischer’s expansive new space. Its inaugural exhibition, “Years of Pretty,” is a mini-retrospective of SF-based Ward...
Witnessing natural disasters, such as Hurricane Katrina, motivated Kevin Yates’ earlier works that employ motifs of reflection and twinning. Doubling continues with uncanny effect in new representations of decaying decorative/architectural elements, inspired by Edgar...
All indications are that Edmund de Waal is a polymath and a scholar. Deferring his place at Cambridge, he apprenticed himself for two years to study ceramics, then graduated with first class honors. In the ’90s he wrote a searching study on Bernard Leach, a prominent...
Someone keeps making an appearance in Eugene J. Martin’s work, and I have no idea who, but I still recognize an old friend. He might be just passing through, with not much in the way of legs on those big orange feet supporting a boxy red body. He might be the...
“Insights into Architecture,” inspired by architectural photographer Ezra Stoller (1915–2004), who is known for chronicling modernist architecture from the late 1930s to the 1970s was on display at the Palm Springs Art Museum from May 25 to October 6. To comment on...
Richard Tuttle said “There are artists who know from the bottom of their souls that art is about the experience of reality. The reason we have art is because you can’t get a real experience from the world.” David McDonald, whose most recent curatorial effort is...
The recent retrospective of photographer, performance artist and counterculture British punk icon, Linder, at Blum & Poe is a rigorous if somewhat hysterically provocative critique on gender roles, specifically the commoditization of female sexuality. Spanning...
Screenings of Bruce Baillie’s visionary short films are uncommon in the movie capital of the world, to say nothing of the known—or at least the non-academic—universe. A full-blown public retrospective of his work, then, stretched over three nights at REDCAT and the...
The inaugural show at the newly opened Moskowitz Gallery on La Brea Avenue brings together the work of four young and talented artists: Alexa Guargilia, Mitch Weiss, Bill Maass and Adam Moskowitz. Although all four bring distinct technical approaches, distinct visual...
The Palatine Hill, and the Roman Forum beneath it, is a marvelous place to visit if just for the archeology and history. Now a viewer can see how contemporary artists interact with these ruins on a large scale. The exhibition “Post Classici,” curated by Vincenzo...
Gregory Michael Hernandez makes maps, composite environments, deliberate negotiations into our collective humanity as a means of locating what appears to be a seemingly and endlessly metaphoric universe. Los Angeles figures prominently here as surrogate muse; the...
The annual CalArts-sponsored RADAR L.A. festival of contemporary theater had serious offerings this year of works outside the cultural references of the English-language. Some presentations were more successful than others, based purely on the dynamics and politics of...
The inside of Steven Hull’s brain could be likened to a flowering tree in constant bloom. His newest effort, “Balcony” is an exploration into the various ways that meaning is extrapolated from any artwork, or for that matter any “thing” in the living known world....
Every now and again an artist comes along for whom the process of making art is both revolutionary and reverential. Mark Dutcher’s first solo show in almost five years, entitled "Transfer" is a visually transformative experience punctuated throughout as testaments of...
In Sarajevo, it only makes sense to remember the day that’s just passed. —Semezdin Mehmedinović, “What Will You remember?” from Sajevo Blues (San Francisco: City Lights Books, 1998), 67. What happens when a notoriously heterogeneous people is asked to deny its own...
Subscribe to our weekly Gallery Rounds Newsletter for new Reviews, Art opps, Art Events, & More every week!