The art of Lynn Aldrich celebrates and extrapolates on the ordinary. She focuses on objects from the world of everyday life to both transform them structurally and insinuate a sense of larger mysteries. She takes utensils and garden-variety household items and through...
The sprawling Charles Dickson retrospective, dispersed throughout the Purifoy Gallery at the Watts Towers Arts Center and the Mingus Gallery in the Charles Mingus Youth Arts Center, exhibits an artist who knew he was born with a gift and that his life’s work was to be...
Elizabeth McCord’s Big Pink (1951) was the only painting featured in LACMA’s Pacific Standard Time exhibition “Living in a Modern Way,” a sweeping survey of mid-century design. The painting jogged old-timers’ memories and tantalized a younger audience. A recent...
As the George Clooney character in O Brother, Where Art Thou? comically declared, “We in a tight spot!” With 7 billion people competing for ever-scarcer natural resources in an environment beset by weather changes, Homo sapiens is headed for challenges, and not of the...
The exterior of 1812 Rialto Street is entirely unremarkable, but venturing into the building provokes a discordant experience akin to tumbling through the looking glass into a fantastical and foreign world. The 100-year-old brick house in a run down area of...
Karin Apollinia Muller: Far Out at Diane Rosenstein Fine Art The natural world, specifically the universe, are living, thriving utopias of abstraction, light and color, and Karin Apollonia Muller has, in her first exhibition at Diane Rosenstein Fine Art, captured both...
JOEL OTTERSON: Chandelier Queer at Maloney Fine Art The Urban Dictionary defines Chandelier Queer as “an elegant fag. A self-spoiled fruit, “ as though excess of any kind denotes sexual preference, and perhaps chandeliers are a “real red flag,” (still probably not a...
Licketh The Rainbow at JAUS Rainbows sometimes make me cringe—not that I am inherently opposed to their beauty and deeper metaphoric meaning, but in the wrong hands, they can fall so easily into triteness. Tricky little things those rainbows can be, however the...
Since she began her career as a photojournalist at the age of 16, Newsha Tavakolian has been capturing the essence of the modern-day Iranian experience through poignant photographs that challenge Western perceptions of the women of the Islamic Republic, while alluding...
Michael Landy is hardly the kind of artist you would expect to see named artist in residence at London’s National Gallery. For one thing, he’s a charter member of the Young British Artists made famous by Damien Hirst’s legendary "Freeze" exhibition. Known for their...
Zackary Drucker & Manuel Vason at Luis De Jesus Gallery Performance/video artist Zackary Drucker and London-based photographer Manuel Vason have teamed up to create a series of self-reflexive and sometimes enigmatic images shot in Milan in 2010 during one of Drucker’s...
Kim Rugg at Mark Moore Gallery Kim Rugg dismantles and reassembles things—mostly words and images, including newspaper articles, magazines, cereal boxes, stamp and now maps. “Rendering their original content meaningless,” Rugg teases out new and sometimes...
Martin Mull, “State of the Union,” 2013. Oil on linen, 50 x 60in Martin Mull at Samuel Freeman Accurately representing the human experience in this day and age presents unusual complications—mainly because the business of being alive today is painful on a collective...
“Western Noir,” an exhibition featuring Eric Nash's newest paintings are currently on view at Skidmore Contemporary Art at Bergamot Station in Santa Monica. At first glance, his work brings to mind “Old Hollywood” featuring a youthful, yet noir-infused Los Angeles:...
In Scott Stark’s The Realist—fresh off premieres at the Toronto and New York film festivals, and screening later this month as part of a REDCAT nano-retrospective of Stark’s three-plus decades of tenacious experimentalism—a gaga pair of drop-dead gorgeous...
The title of Iva Gueorguieva’s show “Spill/Frame” seemed almost a naked admission of its strategies and ambition with a concomitant risk of crashing, careening failure. In almost all of the works on view there was both a willful, self-imposed notion of the edge or,...
Fragmented and contorted bodies in motion span the gallery as if onstage in Bettina Hubby’s exhibition “Pretty Limber.” Large-scale figures made of vinyl decals float across the space, wrapping around corners and emerging from the floor. Composited from numerous...
Through a process of intellectual, historical and geographic research, Alex Slade makes evident, and critiques thereby, the social forces that shape the American landscape. Landscape-oriented American photographers have been preoccupied with this issue since the...
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