Adam Pendleton’s first solo exhibition at David Kordansky Gallery unfolds across three exhibition spaces and invites viewers to engage with the different aspects of his unusual and critical practice. Large black-and-white paintings with the repeated phrase “WE ARE...
Beauty is all around us. This thought feels simplistic, and given the past year, even wrong. Stuck in our homes, away from family and friends, a city as large and vibrant as Los Angeles becomes terribly claustrophobic. And even for those fortunate enough not to be...
Peter Hujar's square format black-and-white photographs are a reminder of the beauty of film and the power of a well-composed, carefully lit, and patiently observed image. Hujar died of AIDS in 1987 at the age of 44 and left behind an exceptional body of work that...
Art, at its most essential level, attempts to fix in space the experiences that pass like sand in an hourglass. On the whole, reality is almost always more complex than can be accurately represented, and meaning is missed in the variety of expression. But Shiyuan Liu...
Ben Sander’s latest body of work, "Poppies," centers on the opium poppy flower. The show is separated into two rooms, the main gallery floor featuring acrylic and airbrush paintings on wood panels and the lower loft room exhibiting the artist’s colored pencil and ink...
Nothing is just one thing. This is a sentiment that many of us here in the United States, particularly those of us with privilege, are coming to terms with in an entirely new way. From recognizing that many workers who previously went unseen are in fact essential, to...
A point of reference for Renée Petropoulos' compelling and thought-provoking exhibition "Like a Street full of Friends: Studies for Speculative Monuments" at as-is.la is her 2014 public artwork installed in downtown Santa Monica: Bouquet (Between Egypt, India, Iraq,...
The works that make up Glen Wilson's exhibition "Slim Margins" are striking and unique. Wilson has an uncanny sense of materials and a keen ability to juxtapose incongruous elements to create the unexpected. Wilson sites the influence of documentary photographers like...
In 1839, the very first portrait photograph was captured of (and by) Robert Cornelius. It must have been a difficult – albeit likely humorous – process, as Cornelius set up his camera before hurriedly running to sit motionless in front of it, arms crossed and hair...
In Between the World and Me (2015), Ta-Nehisi Coates writes, “The entire narrative of this country argues against the truth of who you are.” This two-edged sword of truth was unapologetically visible in the "Kangs" exhibition at Band of Vices, which includes four...
Sculpture is a medium of art with infinite possibilities. Unbounded by canvas or wall, a sculpture is only defined by the space itself. Yet despite the limitless potential definitions, there is only ever one realized in the moment that the iron is cast, the glass...
It’s hard to pin down joyfulness. It’s a transient emotion that is readily batted away by the complexities and pains of everyday life. One can almost forget what it feels like. Luckily, one of the crucial functions of art is to remind us all that joy does exist. This...
"Figuratively Speaking" is a 25-year retrospective on the female figure as studied by the artist, Haleh Mashian. Haleh is an Iranian-born artist, who opened Mash Gallery in 2018. Since the works are presented undated, it is unclear exactly what Mashian’s “early work”...
Lou Andreas-Salomé, the psychoanalyst, writer and infamous lover, defined eroticism as “what ruptures the ego.” To enter into an erotic encounter is to break apart our neatly constructed selves, to invite destruction; it is also a chance for a volcanic eruption of...
The profoundly moving installation Ten Little Children Standing in a Line (One Got Shot, and Then There Were Nine) (1991), positioned to be the first work encountered in Parrasch Heijnen’s career-spanning survey of Mildred Howard, imparts a sense of the Oakland-based...
Mark Steven Greenfield’s latest paintings are expansive fields of gold leaf inset with depictions of Black Madonnas and other religious figures. They shimmer and radiate. Though some are adaptations of iconic Madonnas from art...
Intertextual play between the external world of nature and the internal world within the human psyche reigns supreme in Heather Day’s exhibition “Ricochet” at Diane Rosenstien Gallery. The large-scale abstract mixed-media works are delightfully fresh, with swaths of...
In a suite of charcoal, acrylic and 24K leaf paintings on canvas, Ferrari Sheppard blends compositional citations from the Western art historical canon with an affecting, humanistic narrative of diasporic Black life. Across the mostly large-scale works, Sheppard...
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