Articles
Several weeks of cold rain and angry trade winds broke. At last, the balmy warm weather had been restored to the Hawaiian island of Oahu. The glorious outdoors beckoned, but many chose to fill the Doris Duke Theater of the Honolulu Museum of Art. Art star Mark...
Over the 25 years of the LA Art Show, Executive Director Kim Martindale has seen fairs come and go in Los Angeles, lost in the quicksand of art market trends. The past two years, however, have seen several new fairs establish themselves in LA – from small satellite...
More than a re-imagining of the Michael Jackson story, Julien Nitzberg’s play, For the Love of a Glove, serves as a point of departure for a wildly surreal take on an already bizarre life, from the troubled entertainer’s repressed childhood in Gary, Indiana, to the...
“Have you noticed, that people are still having sex? All the denouncement, had absolutely no effect.” —LaTour, “People Are Still Having Sex,” 1991 After a long conversation with my Lyft driver about the cult he’d just joined, I walked into “The Pleasure Principle” at...
Toni Bentley danced with New York City Ballet for 10 years under George Balanchine and is the author of five books that include The Surrender, An Erotic Memoir, about an obsessive love affair that introduced her to sodomy, rendering the physics, paradoxes and...
Monica Majoli, an artist and professor of art in painting and graduate studies at UC Irvine, whose work explores sexuality and intimacy, is interviewed by art historian, Ph.D. Candidate and Provost Fellow in the Humanities at USC, William J. Simmons. WS: I’ve been...
A pair of pastel-hued bikini underpants are draped across the wall. Riddled with tiny holes, the thong-thin back resembles the mesh of fishnet hose. A large lavender moth orchid hovers over the genital area, recalling the poetic similarities between labia and the...
Meeting the Los Angeles–and Mexico City–based sculptor, songwriter and curator, Janet Levy, was a gift from one of the many “ifs” of life. Our serendipitous encounter occurred at one of my favorite cafes when I couldn’t help but notice a woman at the adjacent table,...
The paintings in John Currin’s show at Dallas Contemporary, a non-collecting warehouse museum, widely induced a queasy, unsettling tension. A common response to the artist’s work, the visceral repulsion and simultaneous attraction result from an unresolvable friction...
There are plenty of deserts around the world. As President Trump memorably said when he abruptly pulled American troops out of Syria as a favor to the Turkish president Erdogan: “There’s a lot of sand there.” So why is it that Desert X, the organization that has put...
I learned yesterday—along with most of the Los Angeles art world –that John Baldessari had died. (He had actually died Thursday, but the word filtered out only this week-end.) Long before I knew him or what he represented (not only in Los Angeles, but the world),...
Sean Tejaratchi is a taxonomic guerrilla and semiotic hoarder. His social media phenomenon (and book) Liartown generated a tsunami of WTF memes, that have been described as “layered, multivalent detournees of the entire gamut of visual culture from the last century...
The holiday spirit was everywhere in the LA art scene this past weekend, from gallery openings to open studios to fun fundraisers. At Torrance Art Museum, a lively and excitingly interactive opening for Adjacent Adjacent in the main gallery drew a robust crowd. While...
"The most important thing to me was exposure to people who are making things, to other artists,” says Doug Aitken of his education at ArtCenter College of Design. Last Saturday he received the Lifetime Achievement Award from his alma mater, honored along with three...
Nestled on the ground floor of an academic building on Pitzer College’s campus, the Lenzner Family Art Gallery is easy to miss. Its layout is as humble and curiouser still: an L-shaped room is flanked by two alcoves too small to be rooms and too large to be closets;...
Enrique Martínez Celaya is embarking on a new journey, and we are faithfully following in his wake. The masterful Cuban-American painter had his first solo exhibition in LA since 2015, “The Tears of Things,” at Kohn Gallery this September. The artist took full...
jill moniz has been a curator at the California African American Museum (CAAM) and is now principal of her own downtown gallery, Quotidian. She curated the current exhibition “LA Blacksmith” at CAAM. I understand that you have a PhD in cultural anthropology—how and...
“You’ve caught me in a really good mood,” said Jeffrey Poe, as he sidled up to the bar of an upscale West Hollywood restaurant. “I’m sorry to hear that,” I said. “I was hoping to play up the ‘lonely at the top’ angle and find a backhanded way of comparing your...
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