“If we can sparkle, he may land tonight….”David Bowie, “Starman”(from The Rise and Fall of Ziggy Stardust and the Spiders from Mars, 1972)Those readers who have followed this blog since it launched in 2007 may recall that it was originally a somewhat diaristic...
Joy to the World: My Holiday Season in a Nutshell
Happy New Year, dear reader(s). I know I was living up to the blog title just a bit excessively in the last month of this just past year; but I wasn’t just staying at home. First of all, there was Norma – the Los Angeles Opera’s production of Bellini’s classic tale of...
Trust the Momentum – Karen Finley: Love Field
If there was a central flaw or fracture to Karen Finley’s The Jackie Look, it had mostly to do with a lack of clarity of its dramatic objective and trajectory. Finley seemed to be trying to both deconstruct an icon (or more precisely its refractions and reflections in...
Karen Finley’s “The Jackie Look”
There are probably as many words written about the ‘Jackie look’ by now as there are actual images documenting it. A quick scan of just a few of these images taken over the roughly 40 years of her public life reveals quite a range: the young equestrienne, the...
The Idea of North / The Disease of Humanity
The North is very much on our collective minds lately – especially in the wake of recent news that TransCanada has suspended its application procedure to build the 1200-mile Keystone-XL pipeline to transport tar sands-extracted oil across the U.S. Plains states to the...
Making the “Un-Private” Public – and Urban
In many ways, Monday evening’s “Un-Private Collection” panel/conversation at Disney Hall, featuring The Broad Museum’s principal architect, Elizabeth Diller, of the Diller, Scofidio + Renfro firm of architects, and moderated by the distinguished architecture critic,...
Cut Paper, Consuming Plastic; Cold Steel, Colder Flesh (2) – Cast A Cold Eye
It is that most fundamental of human needs – our need to make sense of things, to report, describe and explain the world; which itself may be at the core of our social and cultural needs, perhaps the basis of society and culture – the need to bring order to our lives...
Cut Paper, Consuming Plastic; Cold Steel, Colder Flesh (1)
The weather may be catastrophically portentous in Los Angeles; but, absent a 9 or 10 Richter scale earthquake or a tsunami that drags Santa Monica out into the Pacific, the show must go on (hey this used to be Hollywood). You may or may not be going out to see and...
Mélancolie to Exhilaration from Studio to Street
There was astonishing buzz around Philippe Quesne’s La Mélancolie des Dragons at REDCAT last Wednesday night; and as a sucker for avant-garde theatre, I simply had to be there, heat or no heat. I felt cooler just looking at the stage set, which resembled a forest...
The Center of the World is Where Your Work Happens –
The L.A. art industry never rests (as if awol ever needed proof of that!); but tradition dies hard, and art galleries and museums break out the new season alongside other arts and cultural venues. Matthew Barney had already screened his not-so-new (2014 – and six...
Ethereal Visions and Dangerous Liaisons: Adès and Cheng in concert at Zipper Hall
<p>For many of us in Los Angeles glued to a screen as a ferociously hot Tuesday afternoon faded with an exhausted sigh into a still intolerably warm Tuesday evening, possibly toggling between one task and another as <strong>Venus</strong>...
Exquisite Cadaver: Sundaram’s Couture of Surreal Salvage
The first encounter with the most strikingly original art (not unlike the most speculative scientific thinking) is always a bit strange – possibly configured, oriented or abstracted in a way toward which our minds and senses can only gradually accustom themselves. We...
A Sublime Moment on the Sixth Street Bridge
I’ve been trying to discourage art, cultural, political, fashion and retail organizations of every size from exhibiting, performing, organizing, opening, demonstrating or launching anything during the summer before Labor Day, and especially August. But I suppose it’s...
Perception Through Process and the Persuasion of Pathos – A Day at The Getty
I’d taken a photographer friend to The Getty to look at the Light, Paper, Process show curated by Virginia Heckert – a must for any photographer and, for that matter, for anyone interested in process-oriented form and media (which includes myself, in recent months)....
Mistaken Identities: What We Miss In Our Quest for the Next
It’s time for a little retrospect here at AWOL – as in looking back in an attempt to take in the whole of something. An impossible task – but you have to start somewhere. It’s also about taking the proper measure of something or someone you thought you knew –...
Refresh the screen: Anthony Caro at the Gagosian Gallery
File this under ‘better too late than never’ (i.e., of a piece with the story of my life). You have only two days to see this show; but if you’re in the Beverly Hills vicinity, I encourage you to run to it. This is a fabulous, albeit extremely compact, show in the...
Dancing In the Flames – Ruven Afanador at Fahey/Klein
Even under the crowded, frenzied conditions of a gallery opening, where you know collectors, other artists (and additionally, professional photographers in this instance), the usual Hollywood smattering of celebrities, supermodels and beautiful people, and die-hard...