Hauser & Wirth have galleries in Zurich, London, New York and now Los Angeles, but in rural Somerset, England, Iwan and Manuela Wirth have created a mini-Eden in which they bring all their interests together: art and architecture, conservation and food, community...
The Irish artist Dorothy Cross’ explorations of the links between human activity and the natural world often possess great lyricism and poetic insight. Born in Cork in 1956, she represented Ireland in the 1993 Venice Biennale.In 2001 she went to live on the edge of...
For years he was the bad boy of the art world, known for his sawn-in-half cows, his pickled sharks and his diamond-encrusted skull that cost as much as the national debt of a small third world country. There were also the medicine cabinets full of pills and surgical...
Space and architecture constitute, for Gaston Bachelard in his book, The Poetics of Space, a site for our memories, which become real and find a location through the geography of constructed space. These locations, which function as markers on the road of our...
James Lingwood arrives at the Artangel office in a fluorescent yellow cycling jacket, having just ridden across London from another meeting. He looks like an accountant with his neat hair and glasses, though he studied history and art history at Oxford. His world...
“To articulate the past historically does not mean to recognize it the way it really was,” wrote Walter Benjamin. “It means to seize hold of a memory as it flashes up at a moment of danger.” Dexter Dalwood, a previous nominee for the Turner Prize, examines in this new...
London is one of the world’s leading centers for contemporary art and also has a history that reaches back beyond Roman times. It’s a place of contradictions, home to great financial and cultural institutions, fine universities and wonderful buildings, as well as to a...
In a brick-arched space of the Serpentine Sackler Gallery—a Grade 1-listed 19th-century building in the middle of Hyde Park, originally designed to store gunpowder during the Napoleonic wars—a strange noise is being emitted. It comes from a pair of transparent...
There are artists for whom the process of making art has become primarily a lucrative business: the brands of Jeff Koons and Damien Hirst come to mind. Collectors and galleries make demands for signature work, and artists may reach a certain point where they delegate...
Martin Creed’s new exhibition—he of the 2001-Turner-prize-winning-light-bulb-turning-on-and-off-fame—is witty, playful, occasionally insightful and often very irritating. The exhibition spans the entire Hayward gallery and ranges from a spot of barely noticeable...
Painting is like the proverbial zombie. It’s supposed to be dead but it won’t lie down. The last 50 years in British art has been something of a paint-splattered war zone. Against the odds of prevailing abstraction, Pop and Conceptualism, painters such as Francis...
London has an ancient history. Londinium was established on the current site of the City of London around 43 AD and served as a major commercial center for the Roman Empire. Since then it’s grown like layers of alluvial rock to create a complex palimpsest that from...
“Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else,” wrote Italo Calvino in Invisible Cities. In an “Alternative Guide to...
The contemporary German artist Rosemarie Trockel, calls her current exhibition: “A Cosmos.” It’s a bold claim to announce that you have created a universe (though the title does take the indefinite article as opposed to the definite). Pre-Socratic thinkers used the...
Gerard BYRne works from the premise that what constitutes the historic is constantly shifting and that there are a series of presents. In his artistic practice the interview and conversation become scripts to be performed in order to open up a number of critical...
Phyllida Barlow, "Rift," a site specific installation in three parts, 2012: Untitled: hoardings, 2012, courtesy the artist and Hauser & Wirth, London, photo by Maksim Belousov, Mykhailo Chornyy. DO WE NEED ANOTHER BIENNALE? CERTAINLY UKRAINE SEEMS to think so,...
It’s that time of year again. The clocks have gone back, the streets are strewn with fallen leaves and there is culture, culture everywhere. Not only is the London Film Festival in full swing but there is Frieze Art Fair—with ever more American and Asian galleries...
YOU CAN TELL A GOOD DEAL ABOUT AN ARTIST FROM his studio. After I arrive at Mark Wallinger's, in the buzzing heart of London's Soho district, he pops out to buy a couple of cappuccinos before we settle down to do the interview, giving me a chance to nose around. His...
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