Alonzo Davis’ paintings are breathtaking in their materiality. Using saturated, refractive palettes, and woven paper and canvas to form a layered topography, the works assert their physicality as much, if not more than the imagery. Abstract—but with elements of...
Most folks mainly (or only) know Nancy Holt from Sun Tunnels—her 1973-76 land art installation laying large concrete pipes along a certain axis keyed to the seasonal solar arc, thus activating the rural place in which you stand, while igniting a soaring connection...
We can never cover all the deserving women artists in one issue, so in a modest gesture, we asked our writers to pitch a woman artist they’d like to champion in 200 words, to squeeze in just a few more. Gala Porras-Kim The sprawling, splintered and paradoxical...
Like his multifaceted painting, drawing and storytelling universe, Trenton Doyle Hancock is many things—but he’s no vegan. The autobiographical, fantastical, art historical, comic-book world of his invention — the Moundverse — is inhabited by a variety of characters...
It’s one thing to engage in a discourse about the influence of art historical movements on contemporary painters, and another still to analyze a particular artist’s specific set of influences, such as Nicole Eisenman’s robust relationship with the European...
Works on paper by Russell Crotty are a mix of travel journals, celestial cartography, landscape sketches, stream of consciousness narration, auric cross-hatched impressionism, and sculptural installation. Their palette is that of desert and the night; their imagery of...
Working in a continuous exegesis of an overarching project, pursuing branching pathways to their conclusions then returning to the center and setting off again, Alison O’Daniel transforms elusive ideas and ambiguous experiences into concrete objects—still and moving...
A pair of exhibitions each in their own manner engage with formula and intuition. In Portraits: Invented Subjects and Divergent Styles, 90 works (all acrylic on paper, 30 x 22 inches, 2015-22) by Nathan Redwood form a tight procession flanking the walls in grids and...
Rough winds do shake the darling buds of May in a beguiling, gestural and chromatically complicated suite of blossom paintings by E.J. Hill. They were undertaken during a recent residency that coincided with the interruption of life as we knew it, shaped by both the...
Consider the rhythm of poetry, the speaking voice and the eye moving across the page, the mathematics of strict iambic and hendecasyllabic verse pressed into the service of unruly love and nature. The pace and structure of power of three is eternal, the optical...
This thoughtful, surprising, eclectic yet focused group bridges the gap between an elevated gallery presentation and the untamed wilds of the cryptoart space. “Elsewhere is a Negative Mirror” is organized around the theme of architecture. Displayed on high-res...
It’s rare to encounter a Warhol exhibition with something genuinely new to say, but somehow Lifetimes (a co-production of Tate Modern, Museum Ludwig, Art Gallery of Ontario, and Aspen Art Museum — its only U.S. venue) accomplishes it. Thanks to both the thoughtful...
An art show without images or really even objects, Dreaming in Smell presents a suite of micro-stories that express themselves not in pictures or shapes, but in scents. It includes a smell so cool it’s like a breeze on the skin; a face-crinkling assault of mold and...
Although photography-based collages by Joe Rudko are aggressively analog as objects, they reference the inherent pixelated optics of the digital world. Each unique piece is physically made of thousands of randomly accumulated, painstakingly spliced and intuitively...
While technically strictly paintings, a new suite of large-scale portraits by YoYo Lander involve extensive collage—crucially, collage executed not from spliced photographs or culled ephemera, but from an endless trove of her own watercolor washes on paper. While in a...
The two dozen or so paintings Bronx-based artist Tiffany Alfonseca made during a summer residency at the Mistake Room not only represent a kind of reimagined family photo album, but are intentionally rendered with fidelity to those source materials and their awkward...
In his kinetic objects and interactive environments, Nick Dong combines the simple, fractal serenity of Buddhist design with the quirky warmth of Victorian curio cabinets, as well as a refined yet theatrical sense of surprise. Across a handful of discrete objects and...
The garage has a long and glorious history as a place where inspiration happens—the site of tools, tinkering, rehearsing, inventing and restoring from rock bands to classic cars to scientific discovery. In Gary Simmons’ new exhibition “The Engine Room” at the Henry...
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