California amusement parks like Disneyland are multi-layered entertainment fantasies, offering created environments for escapism and joy-filled distraction. These tourist sites entice visitors with adventurous rides, performances and tantalizing food. Similarly,...
GALLERY ROUNDS: Everything But the Kitchen Sink
Judithe Hernández Cheech Marin Center
At the retrospective “Judithe Hernández: Beyond Myself, Somewhere, I Wait for My Arrival,” mounted by The Cheech Marin Center for Chicano Art & Culture of the Riverside Art Museum, the full spectrum of an artistic career of more than 50 years was on view. Beyond...
GALLERY ROUNDS: June Edmonds Luis De Jesus Los Angeles
Now known as the Black National Anthem, Lift Every Voice and Sing , written by James Weldon Johnson and composed by his younger brother, J. Rosamond Johnson iterates the definition of resilience by stating: Sing a song full of the faith that the dark past has taught...
Richard Mensah Band of Vices
When writer and poet Peter J. Harris wrote in his poem Only Wine (2004): Blessed be the laughter of lovers for it separates the edges of the future / bless me with your laughter, Blessed be the music of lovers for it spices the taste of all creation / bless me with...
GALLERY ROUNDS: “A Space Between Us” Robert and Frances Fullerton Museum of Art
Global pandemics democratize pain, suffering and loss. Therefore, who does one turn to when inquiring about world-reshaping events that impact the interpersonal and economic fabric of society? The answer is artists as they function as visual ethnographic historians....
GALLERY ROUNDS: Evita Tezeno Luis De Jesus Los Angeles
In Gladys Knight’s version of “The Way We Were” (1974), she sings, “Can it be that it was all so simple then; or has time rewritten every line; if we had the chance to do it all again, tell me, would we? Could we?” Upon viewing “Evita Tezeno: The Moments We Share Are...
Faith Ringgold Jeffrey Deitch
Maya Angelou’s words You may shoot me with your words / You may cut me with your eyes, / You may kill me with your hatefulness, / But still, like air, I’ll rise speak to Faith Ringgold’s origins—as a college student in the 1940s, she was told by her professor that she...
GALLERY ROUNDS: Deborah McDuff Williams The Center for Social Justice and Civil Liberties
In Post Traumatic Slave Syndrome: America's Legacy of Enduring Injury and Healing (2005), Dr. Joy DeGruy writes “Although slavery has long been a part of human history, American chattel slavery represents a case of human trauma incomparable in scope, duration and...
GALLERY ROUNDS: “The Land of Milk and Honey” Cheech and MexiCali Biennial
Rodolfo "Corky" Gonzales, Chicano Movement Leader, founder of the Crusade for Justice, and Poet once wrote: I am the masses of my people and I refuse to be absorbed. I am Joaquín. The odds are great, But my spirit is strong, My faith unbreakable, My blood is pure....
OUTSIDE LA: Printed Matter San Bernardino Valley College
Linguistic determinism suggests that language dictates perception and perceptions are reflected in one’s language. Therefore, when art intersects with politics, the result is "Printed Matter," the current exhibition at San Bernardino Valley College’s Gresham Gallery....
GALLERY ROUNDS: “Identity Semantics of the African Diaspora in the United States” The Loft at Liz's
The 1960s Black Arts Movement ignited an important cultural event among its participants. Visual artists addressed themes of Black pride, self-determination, and culture. Preceding it was the Harlem Renaissance (1920–29) with aesthetic architect, Alain Locke, the...
GALLERY ROUNDS: Kehinde Wiley Roberts Projects
When Kehinde Wiley had the honor of being selected to paint a portrait of former President Barak Obama, it marked a historic moment as he became the first African American to paint an official US presidential portrait for the Smithsonian National Portrait Gallery....
David John Attyah Los Angeles LGBT Center
Box office superhero origin stories and their sequels—from Sam Rami’s Spider-man (2002), Christopher Nolan’s Batman Begins (2005) to Jon Favreau’s Iron Man (2008)—have grossed millions of dollars from the repeat viewings of fans who hunger to know the real story: how...
GALLERY ROUNDS: June Edmonds Riverside Art Museum
The spirograph galaxy of Rhythmic Inquisitions, an exhibition of works by June Edmonds at the Riverside Art Museum, unmercifully hypnotizes. Expanding boundaries, this 2022 Guggenheim Fellowship Recipient injects Aretha Franklin’s Respect (1967) into Abstract...
GALLERY ROUNDS: Life By Design Gresham Gallery at San Bernardino Valley College
In a planet crowded with polarizing paradigms, is it possible to contribute aesthetically to larger conversations about culture and existence? Life by Design, a group show currently at the Gresham Gallery at San Bernardino Valley College (SBVC), masterfully...
Known & Understood Benton Museum of Art at Pomona College
In Outlaw Culture: Resisting Representations (2012) bell hooks states, “The function of art is to do more than tell it like it is—it’s to imagine what is possible.” Such words were actualized in “Known & Understood: Selections from the Permanent Collection” on...
GALLERY ROUNDS: Black Kirby UCR Arts, Culver Center for the Arts
The creation of Black superheroes in Marvel Comics during the Silver Age (comics published from 1956–1970) and Bronze Age (comics published from 1970–1984) has consistently been the exception and not the rule. There was Black Panther (1966), Blade (1973) and Monica...
Ulysses Jenkins Hammer Museum
Ever had your memory moonwalk? Such a notion is possible after experiencing Without Your Interpretation, the Ulysses Jenkins multiverse at the Hammer Museum, a retrospective comprised primarily of video and performance art covering five decades. Putting soul in...