Henry Taylor has described his figurative painting, which is not infrequently straight portraiture, as landscape; and to press the point, he has taken the further step of mounting the work within a gallery prepared from the floor up, in effect treating the space as...
We Americans live in interesting times. The old Chinese curse has come home to roost long before the country itself has supplanted our economic and cultural hegemony. We have more freedom, more choices generally – but we’re not equally informed or empowered to sort...
“The sound of gunfire, off in the distance, / I’m getting used to it now….” The words are from a 1979 Talking Heads song, “Life During Wartime,” which inspired the title and concept for this group show of five artists – Sadie Barnette, Aaron Fowler, Farrah Karapetian,...
It is almost an existential question – of art, creation, medium – the ‘still point of the turning world … (w)here the dance is,’ to paraphrase Eliot’s “Burnt Norton.” Helen Frankenthaler was already well into her early maturity by 1962, which is where this 25 year...
As our planet is gradually warmed and transformed into landscapes and environments once conceivable only in nightmare fantasy, we find ourselves preoccupied with our apprehension and perception of a world we’ve effectively made over – so bound up with our physical...
There are some artists you know are great immediately because they provoke such disparate and conflicting emotions simultaneously that they practically throw you physically off balance. John Altoon is one such artist. The most feral of the Ferus Gallery Cool School,...
The most emblematic of the ‘trophy’ moments in Ry Rocklen’s current show may be the perforated vertical standing locker cabinet, titled Ricky. With its exposed interior copper plating and cross-illuminated by the gallery light, it’s a handsome object that might serve...
The great thing about keeping some distance from the dominant trends in the art world is that you stand a reasonable chance of remaining true to what is most unique about your own art-making: your own eye, ear, voice or hand (all are involved in what flows from the...
We have abandonment issues lately/forever – desolate, disconsolate and a bit fragile. In Henry Taylor’s painting, that fragility coexists with an incongruous durability – a hard thing that cracks against identity or classification or simply swallows it up. Taylor’s...
1. Dancing With Myself [A Club Called Rhonda; CLINIC AT Couture]Los Globos has a massive footprint on Sunset Boulevard, but A Club Called Rhonda makes it feel almost cozy. Couture, on Cahuenga just below Hollywood Boulevard, actually does manage to draw a bit of...
Photographer Richard Learoyd has returned to the ancient roots of his craft to grasp the materiality of that moment of our impact upon the world, specifically with the camera obscura in its most literal definition – the image received on a large sheet of...
The downtown Los Angeles arts district has been evolving, somewhat in tandem with adjacent downtown districts, since at least the 1980s. There was a stabilizing shift at the turn of the century when SCI-Arc took over the old Santa Fe rail depot east of Alameda and...
The art world ‘conversation,’ in many ways, can be a small one. In the post-modern, post-conceptual landscape, anything goes. Yet (Juxtapoz to one side) we’re not typically privy to the kinds of conversations Corey Helford Gallery artists might ignite. Once upon a...
ACME’s late summer group show, Passage, chooses subtlety over ‘statement’, quietly suggesting a spectrum of emerging ideas and directions through its artists’ varied address of notions of passage or transition in their work. In doing so, it also gives a glimpse of the...
As we are posting this, we are informed that Arthur Jafa has not been awarded the Mohn Public Recognition Award; and we can’t help wondering if he might have been at some competitive disadvantage simply because visitors to the Museum were unable to actually flip the...
The world of contemporary popular culture has largely left the biosphere behind, for a world of limitless extraterrestrial space. It is not so different from the contemporary avant-garde, which remains a cerebral, intramural phenomenon. It takes an extraordinary,...
Linda Arreola’s debut as an artist was as a sculptor and installation artist. She’s also an architect; and her show, “Architect of the Abstract,” a survey of work curated by William Moreno from 2005 to 2016, is very much the work of an architect who has crossed over...
“69,”Aaron Wrinkle’s exhibition of drawing, painting and related constructions must be considered in the context of what Night Gallery calls “the mausoleum” that frames it. Initially one might think of it as a pavilion, albeit of a hand-hewn urban rusticity that bears...
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