Billionaire founder of private equity firm Apollo Management, Leon Black, was at the top of his game in 2021 both as a Wall Street financier and as one of the world’s leading art collectors, owning works valued at more than $1 billion (he paid $120 million for a...
As with most endings, there exists introspection. The show is done, the crates have been shipped, the pieces have been sold—or not. Regardless of the success or accolades, regardless of the critic’s opinions, reality is now filled with days of waking up sans deadline....
A standout artist in 2023’s “Made in L.A.” biennial, Ishi Glinsky often plays with scale in his sculptures, paintings and drawings that reflect the customs of his tribe, the Tohono O’odham Nation. Fusing the past with the present, Glinsky examines pieces from his...
L.A. FAIRS IN THE NEW YEAR The fairs are coming again, and the leader of the pack is, of course, Frieze Los Angeles (Feb. 29–March 3, 2024), returning once more to the Santa Monica Airport. There will be more than 95 exhibitors, with about half from the greater LA...
One wouldn’t expect the prelude to a screening of David Byrne’s American Utopia to be a conversation—facilitated by the polymath—on affordable housing, but that’s what happened this past November at the Tomorrow Theater in Portland, Oregon. For one hour Byrne, joined...
Dear Babs, Dear Babs, How do you feel about an artist selling prints of an original artwork that hasn’t been shown or sold yet? Since it’s a print, the cost will be more affordable to the average buyer. Do you think this lowers the value of owning the actual piece of...
Stealing Life Closer and closer to fifty, years turn months, weeks, days, and I have trouble staying asleep. Around two I get up to read in the living room, then lie down, this time on the couch, turning the transistor radio to KGO, distracting myself, returning, life...
As with many works of contemporary art, Claudia Keep’s compact paintings first entered my field of vision on social media, where her imagery retains its appeal, even as her textured, varicolored and economical brushstrokes are flattened out. Keep often makes blunt...
As our rushing descent into global environmental catastrophe continues, we are inundated with images of our planet's suffering. We’ve all seen the snapshots—a man up to his neck in water pushing children on a downed satellite dish during the 2022 flooding of...
I first encountered Sombreuil’s work about 10 years ago—the coolest woman I had met in New York was wearing a pair of Come Tees screen-printed jeans, the legs bleached from the hip down, covered with bold drawings of red and blue faces and text reading, “The whole...
Spectacular and sinuous, Ann Weber’s large-scale sculptures create a mythic world, one that viewers step within and explore as if moving through a strange and lovely forest of anthropomorphic shapes. Created entirely from cardboard strips, the sculptures are woven...
The gallery’s inaugural exhibition, this group show of ten artists considers the tenderness of objects through various materials and scales, balancing between historical and futuristic sensibilities, as the exhibition title suggests. Spanning two floors and multiple...
Global pandemics democratize pain, suffering and loss. Therefore, who does one turn to when inquiring about world-reshaping events that impact the interpersonal and economic fabric of society? The answer is artists as they function as visual ethnographic historians....
They say, “The eyes have it,” and what the “it” is exactly in this sentiment is debatable, yet no one can argue that Mamie Eisenhower’s baby blues rivaled the Atlantic and set more than a few hearts ablaze. The blue of her eyes was practically iconic and the tell-tale...
“Phranc: The Butch Closet” at the Craig Krull Gallery is a joyous celebration of a Los Angeles icon. The ambitious exhibit, which includes work and documentation from the past forty years, illuminates how Phranc and her music—she identifies herself as the...
When Donovan Johnson and his new partnership cohort stepped in to renovate and relaunch the once-venerable Bill Lowe Gallery—transforming it into the buzzy and ambitious Johnson Lowe Gallery of today—it signaled more than a changing of the guard at one of Atlanta’s...
Birds in the trees: all is right in the world unless it’s three in the morning and their birdsong is interrupting your sleep. Birds on a telephone wire: a testament to adaptation in one’s habitat; I hope it doesn’t ruin your connectivity. Birds on the beach: better...
Subscribe to our weekly Gallery Rounds Newsletter for new Reviews, Art opps, Art Events, & More every week!