In the 18th century, when the Iranian elite heard rumors of the grand mirrored halls of Europe, they sent merchants to procure as many sheets of brilliant reflective glass as their boats could carry. Still, the mirrors cracked in their elaborate frames somewhere...
“I’m not sure satisfaction is a thing I feel while making art. I get satisfied from stuff like getting my laundry done or digging a trench or putting away my books,” mused director Deborah Stratman in a recent interview with Documentary magazine. Perhaps this...
Jónsi, artist and frontman of Icelandic post-rock band Sigur Rós, masterfully crafted a recent show titled “Vox” which challenges the definitions of visual, sonic and olfactory art, merging the mediums to form a multi-sensory exhibition that plays on the viewer’s mind...
Franco Rossi’s restored Smog plays like a Nouvelle Vague travelogue, with protagonists seemingly lost in an urban landscape that amplifies their inner malaise. That backdrop is Los Angeles and the long-lost 1962 film (now finally available in a pristine 4K restoration...
Gilbert & George, the quintessentially British pioneering queer artist-duo have staked a clear position within the milieu in which they operate. They have scant tolerance for art-world conventions, yet it is precisely that peevishness and their enduring, long-term...
Chalk Poem The long cool freedom pure as a stick of chalk powdering against the edge of jealousy hard and green, also cool a tongue in your mouth an equation in your mind about where purity goes as it’s clapped against a tree trunk, the side of a building leaving...
The history of film is full of paradigm shifts. Once people got used to the idea that the train on the screen wasn’t going to burst into the theater, they had to adjust to editing. When a character had a memory, the idea of linear time was disrupted. One of the...
Wendy Posner is the CEO of Posner Fine Arts, an international art advisory based in Los Angeles. With a global roster of artists, publishers and gallerists, she builds relationships with both established art stars and new talent. She has traveled to more than 20...
Have you ever howled at the moon? Stood up to your demons and screamed until your lungs ached? I have once. It was in the wee hours of the morning in Thailand. It was a pivotal moment in my story, and to scream without judgment was where I found solace, but that is a...
London-born, Los Angeles–based video artist and animator Olivia Mole is known for her recurring characters in many of her works, seen in pieces presented at the Hammer as well as in her solo show at Gattopardo last year, “A Bear Shits in the Woods.” Always with a...
Dear Babs, I graduated with an MFA in painting two years ago and while I have a decent record of solo and group shows under my belt, I don’t really make any money from sales of my work. I have a stable job as a bartender that pays the bills, and I’m all right...
The point of departure for Pat Steir's exhibition “Painted Rain” at Hauser & Wirth is an exploration of blue, a color omnipresent in Los Angeles. When first visiting the city over fifty years ago to teach at CalArts, Steir was struck by the quality of light and...
Bringing back recurring characters from her practice, Olivia Mole is changing the installation of her show, “Dopesheet Batman,” each week in this intimate East Hollywood space, keeping only the wall pieces and purple carpeted platform intact. In her first iteration of...
The Marilyn Nance exhibition at Roberts Projects beautifully demonstrates the phenomenon known as six degrees of separation—the idea that all people are six or fewer connections away from each other. Nance was 21 when she was chosen to be the United States’ official...
Carolyn Castaño's “Otros Seres” (Other Beings) exhibition at Walter Maciel Gallery is an exhilarating eyeful of stealth environmental disaster. Castaño, of Colombian-American heritage, is well-known for her early extravagant and provocative Garden Heads...
Feathers, fur, gills, horns, tails (spiked and scaled), claws, talons, hooves, and forked tongues are some of the characteristics that adorn Evangeline AdaLioryn's strange amalgamations. The locust of the exhibition, "Her Labyrinth," presents an assemblage of...
He had five of them—hats that is. Part cowboy, part fedora—they saw him through the presidency like stalwart protectors. They gave him confidence. They engendered a swagger. They saw him through the race riots, civil and civic unrest, and the anti-war protests that...
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