A sculptor and revisionist historian, Sula Bermúdez-Silverman uses a plethora of sculptural materials, from glass to ready-mades, to achieve her conceptual ends. The Los Angeles–based artist is known for her vibrant, sometimes eerie objects that conjure otherworldly...
It’s the Year of the Dragon in the Chinese lunar calendar, which began February 10, and several museums are featuring Asian/Asian-American artists. Appropriately timed, or maybe just high time to feature them. For those who did not grow up Chinese, or are not Bruce...
Art historian and artist, curator and collector, gymnast, actor and activist David Kunzle, died January 1 at 87. Through his teaching at UCLA and his prodigious writings, the pioneer comicologist opened the doors of art history for the once-disdained topics of...
Dear Babs, I was recently visiting some blue-chip galleries with my septuagenarian mother. After a few hours, she pointed out that not one gallery had a comfortable place to sit down and experience the art. She felt like it was an insult to anyone who isn’t a...
What's Available for Happy Hour? “Nothing, happy hour is from four till five.” “Really?” “It’s a literal hour.” “So, by extension all other hours are unhappy?” “Not necessarily. There are sad hours, bored hours, angry hours, even ecstatic hours, though some forms of...
This inaugural exhibition of Perrotin’s new LA space, as well as the artist’s first show in the city, features Kato’s recent paintings, drawings and sculptures of vibrant, mystical humanoid figures that he has become known for, some in the form of intimate wood...
There is something about watercolor that is intimate at any scale. The medium’s unforgiving nature sparks an urgency in its use, creating an immediacy in its organic textures, forcing the artist to build depth from layers and shallow pools that bounce the light around...
“Paul Pfeiffer: Prologue to the Story of the Birth of Freedom” culminates in over thirty multimedia works of artist Paul Pfeiffer. The title of the exhibition references one of the works in the show which shows a video of director Cecil B. DeMille on loop exiting and...
"Material Recovery" combines printmaking with assemblage, collage and sculpture to illustrate the iconography of the Port of Los Angeles in San Pedro, along with images suggesting the waste left there by the shipping industry. The exhibition of 81 pieces by 31...
Titled “Maps Necessary for a Walk in 4D,” Cynthia Hawkins’ show of new, bright and abstract paintings explores the idea of space-time, a subject the artist has considered in her work since the 1970s—lines cutting through the picture plane almost appear as aerial views...
Since the early 1980s, Louise Lawler has been making photographic works that focus on the collection and presentation of fine art, and the various meanings of “in-situ.” Her early images were straightforward, black-and-white photographs that documented artworks in...
Viewing art is often followed by epiphanies—moments in which the viewer understands things both cognitively and perceptually. Sometimes it even provides a glimpse into another place, at another time, about which one does not yet have any real experience. “The Shape of...
Vivid and broad brushstrokes streak across Nicole Wittenberg’s paintings currently on view at the newly opened Los Angeles gallery, Fernberger. The exhibition, titled “Jumpin’ at The Woodside,” marks Wittenberg’s first solo show in Los Angeles and the debut of her new...
Orange is, what one might call, an unwitting participant in the steady brigade of mutant politicians strong-arming their way through Washington. One such behemoth is particularly “luminescent” like a psychotic azalea or a schizophrenic cantaloupe. Living deep inside...
For their joint exhibition at John Doe Gallery, Marek Wolfryd and Michele Lorusso present a selection of sculptures and paintings embedded in their shared exploration into Mexico’s history of architecture, urban planning and design. The title, “A Collapsing...
They are dense forms, knots of entwined ropes and masses of clay, approximately the size of one of the larger internal organs. This suite of recent ceramic sculptures by Emily Ginsburg is presented on clusters of columnar plinths of corrugated cardboard that would be...
“January in the last extant stable society.” Joan Didion, “In Hollywood” (1973) — included in The White Album (1979) “You can get there from here,” was something like the thought rippling just beneath my immediate observations, coming upon several Jessie Homer...
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