Those of us who have dreamed—which I pray is everyone reading this—know how it goes: A cacophony of vignettes rattle through your unconscious, some a single flash, some endless, though in reality, they’re all only a few seconds in duration. No matter their...
It seems heaven is butter scented. Or at least La Loma Projects is butter scented. And who knew the Pearly Gates were actually in Highland Park? Walking through those gallery doors, you’re hit with a bright light that really does feel like a scene out of a...
Kyle Dunn celebrates the languid vibe of siesta culture through figurative and still-life pieces. The works on view use acrylic to replicate the luminosity of the Old Masters’ oils, giving Vermeer illuminated by the harsh New York summer sun. Siesta (2024)...
DAY ONE Last night, Vidiots at Eagle Rock saw the start of the only weekend of the year where being an indie filmmaker in LA feels like it truly matters as much as it should. As the second edition of the Los Angeles Festival of Movies kicked off, current microbudget...
Since 2017, I have been among the 1.7 million people who have participated in the art biennial-cum-treasure hunt to seek out large-scale, site-specific contemporary art installations scattered throughout the Coachella Valley desert, the land of the haves and...
Sontag famously wrote about the photograph as a means of securing ownership over an ethereal past. Her words come to mind as one moves through Hailey Heaton’s "Hissyfit," which reckons with the erosion of memory (and therefore history) through dementia. (The...
It’s not uncommon that an art show claims to deconstruct the human form and challenge societal notions of beauty. Derrian Pharr’s innovative “I Am a Bloodstone” makes good on this promise. The otherworldly heroines in Pharr’s works (made with pastels and prisma...
Palm Springs’ annual Modernism Week dominates the city in February, but I caught this quiet, elegant exhibit at the museum’s satellite space. It’s a revelatory history and homage to Frank Lloyd Wright craftsman Manuel Sandoval, a twentieth-century Nicaraguan American...
Time is a common theme in Kelly Akashi’s work. Doilies inherited from her grandmother represent the past. The artist’s hands, cast in bronze, serve as timestamps for the present— lines and wrinkles marking specific moments. Cast bronze seed pods represent the...
Textile art has not always been one of my favorite mediums, but Ramekon O’Arwisters' exhibit altered my thinking. At a time where being Black and Queer, and any semblance of DEI seems fraught - the artist has come out swinging. The thoughtfully curated show is...
The long-running MexiCali Biennial got a recent boost from Mellon Foundation and is currently making its mark in the eastern LA suburb of Whittier. The space, which also houses an archive, MXCL BNL LAB545, is located in an unpretentious storefront, betraying an...
As fate would have it, the biannual “Spring 2025 ArtNight Pasadena” event is taking place on March 14th—winter’s coldest, dreariest, and rainiest day. Accordingly, you select the handful of venues most likely to feature contemporary work, then set off. An hour and a...
Last week, during Los Angeles Art Week, I saw James Franco everywhere. I saw James Franco at Felix at the Hollywood Roosevelt, where the David Hockney-painted pool was closed because a man had had a heart attack inside it the day before. I saw James Franco at...
I’m at a bar in Palmdale and it’s nearly empty. From where I am sitting, I can see two men playing chess. Or, rather, they’re not really playing—they’re afraid to make a move. It’s Pawn to E4, followed by the all-too-familiar analysis paralysis: finger steadies...
This past fall, I saw over twenty PST ART exhibitions offering contrasting visions of how “art’ and “science” might collide or collaborate. The shows addressed topics from surveillance to biotech to space exploration with dives into artificial intelligence, Indigenous...
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