In much of her work, New York–based photographer Joni Sternbach experiments with historical photographic processes, specifically tintypes, direct positive images created on thin pieces of metal. Tintypes were popular in late-19th-century photography studios since the...
“Pura Mentira,” the title of Oakland-based artist Maria A. Guzmán Capron’s exhibition, is a statement on people’s propensity for multiplicity. Using textiles as her medium, Capron merges the figures in her pieces together, their bodies often winding together to create...
Curated by Nicolas Orozco-Valdivia, Linda Arreola’s “Abstract Wanderings From the LA Borderlands: 2020–2023” comprises the artist’s strongest work to date. The presentation of nine paintings, some in multi-panel formats with varying scales, can scarcely be contained...
“Where the spent lights quiver and gleam, . . .” Matthew Arnold, “The Foresaken Merman” “ . . . — you can see / the whole sky pass through this head of mine, the...
With the opening of Metro’s Regional Connector on June 16, three new Downtown Los Angeles stations have site-responsive art installations by eight artists in them. The artists were carefully chosen through a multi-stage process, and their designs became integral parts...
"I just don't know what to do with myself...." Burt Bacharach / Hal David, 1962 I’m not sure if Barbie is a new kind of cinema, but it’s not the sort of film we’re accustomed to seeing in wide theatrical release on the biggest screens and dressed in the highest of...
Los Angeles’ literati gathered at the Poetic Research Bureau in Silver Lake last Wednesday in celebration of Jack Skelley’s book launch of The Complete Fear of Kathy Acker. The awaited book is his first-ever complete edition of excerpts detailing the anarchy of 1980s...
I came to this show of Martha Alf’s work as a novice. (I mean that almost reverentially—it’s the sort of work that sends me back to a kind of intellectual nunnery where I feel compelled to repent my inattention and failure to carefully and precisely observe.) Alf’s...
Dear Reader, Reading wasn’t a top priority in our family; I don’t think I was ever read to as a child. It wasn’t as if literature was banned in our house, but the walls weren’t exactly lined with bookshelves. The preschool in our tiny town was held at the local...
Congratulations to our winner Svetlana Katz and our finalists, Svetlana's photo is seen above and first in our photo gallery in the July/August 2023 online edition of Artillery. The following photographs are the finalists. Please see the info below on how to enter for...
History tells us that the highly refined, discreet object imbued with emotional resonance is an artistic choice largely made during a bygone era when the likes of such artists as Johannes Vermeer stood before a blank canvas, choosing to illuminate the specificity of...
In Malian-American artist Penda Diakité’s transformational paintings and collages, every element is much more than what it seems. From her impossibly detail-rich photocollage to her unique technique of hand-engraving surfaces—and the historical cosmology of her...
A viewer unfamiliar with Blair Saxon-Hill’s previous work might be inclined toward certain assumptions about the foundations and precedents for her style and approach to her subjects—figurative, abstracted or quasi-symbolic—or even what her subjects might actually be....
Bryan Ida’s recent paintings of nature and its animal inhabitants examine the perilous plight of both in the face of increasing threats to the planet. With forests continuing to be torn down by industrial enterprises and climates becoming increasingly erratic, the...
Painting is, quite possibly, my least favorite visual medium. I’m not being disdainful, far from it—it’s simply that I gravitate toward mediums that are more immersive. That said, I was curious to see Paul Paiement’s recent exhibition, “Nexus,” as he created many of...
Throughout his long and distinguished career, Dawoud Bey has used his camera to document his surroundings, looking closely at people as well as the places they live. Interested in the natural, social and political landscape, Bey has made multiple series that trace a...
It is one of the great regrets of my life to have never seen Glenda Jackson perform live on stage—and there was at least one serious opportunity that somehow (almost inexplicably) passed me by—in a play I loved, directed by the playwright himself. The play was Edward...
Martine Syms’ solo exhibition, “Loser Back Home,” is an epic, multidimensional collage of material and media. It's a labyrinthine of various avatars and personal significations spanning video, photography, painting, drawing, and sculptural installation, forming a...
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