The theatricality and malaise of machines characterized by abundance, repetition, necessity, error and expansion, come into full play in Analia Saban’s latest body of work, “Synthetic Self,” which is simultaneously exhibited at Sprüth Magers and Tanya Bonakdar...
Portraiture has been a constant in art-making since the waning Middle Ages, and really since art first appeared (though they wouldn’t have called it that), which may extend back into prehistory. I would further conjecture that such early art itself encompassed a kind...
“Jacket and Shadow and Jacket and Shadow and Jacket and Shadow,” Jasper Marsalis’ exhibition at Kristina Kite Gallery, directs me to hear its entirety with my body. The visitor is tasked with arriving and making contact with his process of transcoding a glitch-like...
At least once a week something happens to save my life. Usually it has something to do with some scientific discovery or biotech breakthrough that has managed to save, preserve or forestall further damage to some part of the biosphere. Or some reminder that nature...
Who has not asked oneself at some time or another: Should I disappear into the abyss or should I emerge and be seen? It’s a concern that is, at times, about recognizability and addressability, and if we are ready to situate our bodies which contain the raw materials...
At "Tintin Nina Disco," Vivian Suter’s exhibition at Gaga & Reena Spaulings, I not only learned that changes were a part of her paintings, but that I should be ready to accommodate them. Walking through her show, I began to understand this was a peculiar trait to...
The Catalina Museum for Art and History invited Artillery for its 70th anniversary fundraiser and art auction. Who knew, maybe we could bid on some donated art and enjoy a day trip for a good cause. The rather large Spanish-tiled building—surrounded by vacation-rental...
The whimsy is uncontrollable and seemingly pours out of the front windows of Koplin Del Rio Gallery in the SODO arts district in Seattle. The work is unmistakable and anyone that knows knows. The de la Torre’s brothers (Einar and Jamex) have for decades been a staple...
With the summer flying by, the fall art season is already around the corner and New York is abuzz with art fairs, exhibitions, and events. As the cornerstone of the fall fairs, The Armory Show has returned to the Javits Center, bringing with it over 225 top galleries...
Congratulations to our winner Seth Kaufman and our finalists, Kaufman's photo is seen above and first in our photo gallery in the September/October2023 online edition Artillery. The following photographs are the finalists. Please see the info below on how to enter for...
Visiting the three new Downtown LA Metro stations recently, I found myself intrigued with how artists commissioned by Metro Art use the transparency of glass to design artworks. The street level of the stations is enclosed by glass, both to allow natural light in and...
Dear Reader, Seventeen years—that’s a long time. Most relationships don’t last that long. That number has now outlived all my other jobs; I’m referring to my relationship with Artillery. I started this magazine with my late husband in 2006, who warned me: Once you...
Diving into the past to ground contemporary viewers in the ever-advancing here and now, the four artists in “Solid Projections” present a grouping of dubious memory objects—newly-minted souvenirs of moments alluded to rather than experienced. Beth Collar, Coleman...
Like many other pictorial artists, Molly Segal is a storyteller. Her preferred medium is watercolor applied in various degrees of thickness to a special plastic-coated paper that is less absorbent than conventional papers, but also more easily re-worked. The titles of...
New portraits and still lifes by Mònica Subidé channel the aesthetic of circa-1906 Paris and Barcelona with such organic authenticity that they could credibly pass for recently discovered works by an unknown genius of that era’s avant-garde—yet they are imbued with an...
There are dark recesses of art that draw us into something we may think we want no part of: images that weave the repulsive into skeins of elegance that we do not fully understand because the understanding resides only within the artist, if anywhere. The effect is...
Transforming the gallery into a performance space for his installation “Things Thinking,” Brian Cooper constructs an environment for contemplating the ideas of cognitive psychologist Donald D. Hoffman, whose theories posit that our perceptions of the world are mental...
Maya Angelou’s words You may shoot me with your words / You may cut me with your eyes, / You may kill me with your hatefulness, / But still, like air, I’ll rise speak to Faith Ringgold’s origins—as a college student in the 1940s, she was told by her professor that she...
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