Two weeks after the exhibition “Thomas Joshua Cooper: The World’s Edge” opened last fall at the Los Angeles County Museum of Art, The New Yorker magazine published a piece by Dana Goodyear titled “The Ends of the Earth: Thomas Joshua Cooper risks his life to...
Cynthia Daignault
“Elegy,” the title of Cynthia Daignault’s show, referenced Robert Motherwell’s 1948-1967 “Elegies to the Spanish Republic.” In contrast to his abstractions mourning the results of the Spanish Civil War, her representational portrayals lament the passage of time, with...
Luis Flores
Upon entering the gallery it is hard not to do a double-take. Seated, hunched over on the railing that parallels the entrance is a life-sized figure, the artist’s doppelganger. This crocheted replica dressed in his signature clothing— a blue t-shirt, black Levi’s...
Soft Schindler
Even in a white cube, there is always an element of architectural engagement to grapple with when laying out out an exhibition. But when the exhibition space is not a white cube -- and moreover, when the venue itself is a storied architectural landmark, such as the...
Ellen Sebastian Chang, Sunhui Chang and Maya Gurantz
“How to Fall in Love in a Brothel” offers a mix of the experiential and the conceptual, expressed as an interactive sculptural installation and an HD video. A collaboration between artists Ellen Sebastian Chang, Sunhui Chang and Maya Gurantz, the idea of a “brothel”...
Photography Beyond the Surface
Both literally and figuratively, it feels as if Photography Beyond the Surface serves as a portal to a new dimension in photographic art. The group show includes innovative, exciting work by eight photographers, including a survey of Melanie Pullen’s work, Joni...
Christopher L. Mercier
The art architects make we expect to mirror their architectural aesthetic, if not extend it seamlessly. It is a modernist trope — going back to the Baroque, in fact — that images and objects, functional and otherwise, further distinguish a notable space by integrating...
Tony Marsh
At his first solo show in Los Angeles in over 10 years, San Pedro based arist Tony Marsh presents eleven ceramic works from an ongoing series called Crucible and Cauldron. Some of the tankard-like objects appear to be bubbling over with one dominant color that is...
Testing Russ Meyer: FISHIN’ and TITTIN’ COPY
People have been photographing sex since the invention of cameras. But the distribution of moving images that depict actual sex acts only became possible in the early 1970s. X-rated films shown in theaters were subject to prosecution into the 1980s. As content moved...
Saying Goodbye to the Godfather: John Baldessari (1931–2020)
I learned yesterday—along with most of the Los Angeles art world –that John Baldessari had died. (He had actually died Thursday, but the word filtered out only this week-end.) Long before I knew him or what he represented (not only in Los Angeles, but the world),...
Advertising Sales Executive
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Marketing Internship
Be a part of one the most exciting art institutions in LA and a pillar of art journalism on the West Coast as Artillery's Marketing Intern. Desired start date: January 14, 2020. Requirements: -Must have Photoshop/ and or InDesign/ and or Illustrator experience....
UCR ARTSblock
Ralph Ellison’s prologue to Invisible Man (1952) states “No, I am not a spook like those who haunted Edgar Allen Poe; nor am I one of your Hollywood-movie ectoplasms. I am invisible understand because people refuse to see me.” By contrast, Reflection Eternal: The...
If These Drapes Could Talk
This Thursday we had the pleasure of attending the press preview and breakfast at Fort Gansevoort’s new Los Angeles space featuring Christopher Myers’ inaugural show, Drapetomania. Fort Gansevoort’s founders, Adam Shopkorn and Carolyn Tate Angel, hosted the event...
The Motherload of Crap Hound
Sean Tejaratchi is a taxonomic guerrilla and semiotic hoarder. His social media phenomenon (and book) Liartown generated a tsunami of WTF memes, that have been described as “layered, multivalent detournees of the entire gamut of visual culture from the last century...
“Morph”
"Celebrate the Bizarre," urges the header on postcards for "Morph" at Mash Gallery; and the 12 artists in this show surely do. More specifically, they revel in distorting human form for metaphoric and emotive effect. Heads are sundered, patched and obliterated; bodies...
Sprüth Magers: Gilbert & George
The British duo, Gilbert & George now in their 70s, have been collaborating since the late 1960s. They have worked together for more than 50 years, creating at first performance-based works (they declared themselves "living sculptures") and later large-scale...
Most Artful Time of the Year
The holiday spirit was everywhere in the LA art scene this past weekend, from gallery openings to open studios to fun fundraisers. At Torrance Art Museum, a lively and excitingly interactive opening for Adjacent Adjacent in the main gallery drew a robust crowd. While...