Although photography-based collages by Joe Rudko are aggressively analog as objects, they reference the inherent pixelated optics of the digital world. Each unique piece is physically made of thousands of randomly accumulated, painstakingly spliced and intuitively...
GALLERY ROUNDS: Joe Rudko
Pick of the Week: Wolfgang Tillmans Regen Projects
In our post-truth age, where it’s easy to assume any image has been digitally manipulated, photographer Wolfgang Tillmans’ stands out from the pack for his striking candidness. In his eighth solo exhibition at Regen Projects, the German artist presents a diverse array...
Miami Art Week Artillery Report: Day 5 Fairs, parties and NFTs: a wrap-up of Miami Art Week 2021
After visiting five major art fairs and too many events and special exhibitions to keep track of, it’s safe to say this was an eventful and surprisingly normal Miami Art Week. Like in previous years, the week provided a venue to reconnect with friends and colleagues,...
Miami Art Week Artillery Report: Day 4 NADA Art Fair and Jeffrey Deitch's Shattered Glass Show
Come for Art Basel, stay for New Art Dealers Alliance (NADA). With over 170 exhibitors at NADA alone and having already visited several fairs, I assumed the booths would start to blur. At NADA, that was far from what happened. The overall fair was refreshing and...
Miami Art Week Artillery Report: Day 3 A day on the beach at Untitled, American Express X Artsy popup show and a benefit auction for Planned Parenthood
Miami Art Week would be incomplete without attending a few of the special events taking place around the city. At any hour of the day, and well into the night, there’s something pseudo art related to do. For my third day, I visited Untitled art fair located right on...
Jean-Yves Thibaudet at Disney Hall — Through the fog and straight to the moon Jean-Yves Thibaudet plays the complete Debussy Préludes — December 1, 2021, Walt Disney Concert Hall
“Les sons et les parfums tournent dans l’air du soir.” Charles Baudelaire, “Harmonie du soir,” Les Fleurs du mal (1857) The title of the first of the 12 Preludes in Book II of Debussy’s Préludes is “Brouillards”—and Jean-Yves Thibaudet’s audience at Disney Hall was...
Miami Art Week Artillery Report: Day 2 See highlights from Artillery's visits to Art Miami and Context Art Fairs
While Art Basel Miami Beach is the main event of Art Week, there are several satellite fairs that feature smaller galleries and emerging artists. For my second full day of art, champagne and parties, I headed to Art Miami and Context, partner fairs just across the...
GALLERY ROUNDS: Betzi Stein TAG Gallery
Betzi Stein celebrates nothing short of love in her solo exhibition now at TAG Gallery, “Art World Friends and Strangers.” Creating brilliantly colorful figurative representations of members of the Los Angeles art community, Stein offers everything from a glowing...
Pick of the Week: Anna Valdez Ochi Projects
Since moving out of my hometown, I have amassed a small trove of Polaroid photos documenting the clutter in all my living spaces. I’d always liked the idea of keeping pocket-sized time capsules of the things I used to own and person I used to be in those places....
Miami Art Week Artillery Report: Day 1 Artillery is in Miami as Art Basel Miami Beach returns for its 2021 edition
Art Basel Miami Beach is back for the first in-person edition since pre-pandemic days. As with previous years, the week is full of parties, exhibitions, benefit auctions and satellite fairs across Miami Beach and downtown. This week, I’ll be visiting as many events as...
GALLERY ROUNDS: Rob Thom M+B Gallery
Football is considered the greatest American pastime by many of its fans. It is played in intense heat, rain or snow, with diehard followers who prioritize the game above many aspects of normal life. In his exhibition Fumbly Punts, Rob Thom humorously critiques...
Pick of the Week: Lindsay August-Salazar Lowell Ryan Projects
Few grasp the power of language to be visually enthralling while expanding our consciousnesses as well as Lindsay August-Salazar, whose solo show at Lowell Ryan Projects, “There’s No Place Like No Place” brings these questions to the forefront. Employing vibrant color...
Brave New World: Handel’s Alcina The English Concert & soloists, conducted by Harry Bicket — Los Angeles Opera, November 2, 2021
“Now I want Spirits to enforce, art to enchant,...” William Shakespeare, The Tempest Scarcely into the second act of Alcina—the third of Handel’s operas based on material from Ariosto’s Orlando Furioso...
OUTSIDE LA: Jennifer Bartlett Locks Gallery, Philadelphia, PA
Various sizes of square panels mostly covered with dots with groups of parallel lines and occasional fields of paint line the gallery walls of Locks Gallery in Jennifer Bartlett's installation "Recitative"—its title derived from a rhythmic free form vocal style of...
THE TRUTH ABOUT MINIMALISM A Conversation with William Minor
“No one achieves frivolity straight off. It is a privilege and an art; it is the pursuit of the superficial by those who, having discerned the impossibility of any certitude, have conceived a disgust for such things; it is the escape far from one abyss or another...
Remarks on Color: Timid White and Bruised Sand: A Conversation Remarks on Color
Considering the world today, it’s no wonder you’ve begun to peel, to pull away from your respective homes, to hide from the tremors, quakes and quick-sands of the living world. We are all guilty of something. We have all fallen under at some time or other, curling in...
GALLERY ROUNDS: Leigh Salgado Launch Gallery
“As the World Turns” is an apt title for Leigh Salgado’s fourth solo exhibition at Launch Gallery. Many of the graceful works are circular, globe-like. A lush world of beauty that also evokes ideas of the circular nature of life: our annual passage around the sun, and...
Pick of the Week: Unseen Picasso Norton Simon Museum
My first review for Artillery Magazine – almost two years ago now – was for my favorite museum in southern California, The Norton Simon. I recently went back and reread that article, and I found that my own writing was, to be kind, academic. Dry as a bone, really....