A series of curious doors assembled in neat parallel lines resemble haunted monuments or an uncanny labyrinth of portals to seemingly familiar spaces. Fiona Connor’s solo exhibition, "My muse is my memory, an archive of Closed Down Clubs" is an ongoing series that...
Let me talk. How often have I had to say that? Or wanted to say that? Or conversely, put it back to an interlocutor—‘no, go ahead—you talk; I want to hear what you have to say.’ Or in yet another mood or set of conditions, thought to myself, ‘let me hear this...
Nancy Youdelman’s Button Dress from 1972 hangs in the window of a nondescript gallery on Fountain Avenue. The garment represents early feminist strategies that confronted and subverted domestic roles and “feminine” mediums traditionally prescribed to women and labeled...
LA-based painter Tidawhitney Lek’s first solo show “House Hold” at Sow & Tailor comprises 10 paintings and two sculptures, examining the personal dichotomies experienced by living in contemporary LA while concurrently being “held” by familial trauma—particularly,...
I had some idea of what to expect when I walked into the Julian Stanczak show at the Diane Rosenstein Gallery a couple Saturdays ago (this is the artist’s fourth exhibition with the gallery). Almost from the outset of his career, Stanczak was identified with the ‘Op...
Eth, bit, sol, meta, block chain, bored apes, crypto punks, kitty litter squad, non-fungible, minting, mining, tokenizing, gas fee, hot wallet, cold wallet, generative NFT, destructive NFT, candy machines, early adopters—yes this is English—just not the English of our...
Petra Cortright’s URL, www.petracortright.com, could be considered a work of net art. Practitioners of net art (beginning in the mid-1990s) often used the internet as their medium, sometimes populating their pages with images and data from other websites. Cortright’s...
In 2017, my friend—artist/curator Nancy Baker Cahill—invited me to see the art she was creating using virtual reality technology. Until that point, I knew Nancy to make ambitious drawings and otherworldly videos depicting abject, flesh-like topologies; works...
Casey Kauffmann is a hoarder of cyber content. Her image archive is a black hole of digital debris, infinitely consuming, tearing apart, and spitting out images—a spaghettification of visual culture. Kauffmann is known for her digital collages that populate her...
The digital is an arbitrary category. In everyday speech, it is sometimes used as an opposition to the material: a digital copy, artwork or exhibition versus a material one. The digital is presented as something existing outside of the material realm and the history...
A meme is unit of cultural information, such as an idea or belief, transmitted from one person to another. The word is an alteration of the Greek mimeme, meaning something that is imitated, not duplicated. The difference is important, as each iteration of a meme...
“Laurie Anderson: The Weather” at the Hirshhorn Museum and Sculpture Garden is the largest US exhibition of Anderson’s work to date. At 74, Anderson continues to be immensely creative as multimedia artist, performer, musician and writer—the show includes more than a...
Superstar artist Jeff Koons has been sued for appropriating the work of others—again. The latest lawsuit, Hayden v. Koons, was filed last December in federal court. It concerns a series of works, “Made in Heaven,” that depict the sexual exploits of Koons and his...
It’s a familiar story these days: somebody is killed in broad daylight in front of witnesses. After the lawyers (and judges) perform their machinations, the killer walks. A new round of comments and editorials appear about how there are two justice systems. The...
Frieze 2022 The art fairs have returned, and with such a burst of optimistic energy! Maybe they’re signaling the lifting of the curse of COVID—or our fervent hope for its end. And maybe artists, during all the imposed quarantines and self-isolations, have devoted...
Magritte: A Life By Alex Danchev 439 pages, illustrated Pantheon Books When an artist achieves the kind of iconic status where they are known outside of the Art World, there can often be a tendency to codify their myth into something that might pass the Elevator Pitch...
Dear Babs, I recently saw a gallery show where an artist staged photographs of a person experiencing extreme poverty, collaborating with them to execute the pictures. The photos were moving, but they left me feeling kinda gross. Am I guilty of unethical voyeurism?...
Subscribe to our weekly Gallery Rounds Newsletter for new Reviews, Art opps, Art Events, & More every week!