On a murky day in May, the art cognoscenti made their way to a preview of gallerist David Zwirner’s newest addition to his burgeoning enclave in Los Angeles. Among the city’s unremitting attempts at reinvention, Melrose Hill—a longstanding, dense and vibrant...
Melancholy rendered in pools of soft, golden sunlight. Love and loss braided into fields of wildflowers. In the press release for “Passage,” Coco Young’s first solo show at Night Gallery, curator Martha Kirszenbaum compares the exhibition to Agnès Varda’s lush New...
The nonagenarian artist Alejandro Jodorowsky is best known as a filmmaker, while his wife, the 40-something Pascale Montandon-Jodorowsky, works as a painter, photographer and designer. Together, they operate under the name pascALEjandro, fusing their names as well as...
Simone Leigh’s presence at the 2022 Venice Biennale was monumental: Her sculptural contributions to the main exhibition garnered a Golden Lion, while her solo show for the US national pavilion generated headlines around the world and lines around the block. In the...
A life lived in the midst of harrowing times of chain gangs, sharecropping and Jim Crow laws in the Deep South is the bullseye of Winfred Rembert’s exhibition, “Hard Times.” In hand-carved and debossed painted leather, the late Rembert creates striking patterns from...
With unruffled confidence, Paige Jiyoung Moon’s, “Gen 3” reveals small-scale acrylic paintings depicting informal rituals from her daily life with a profusion of care. Most of the time memories get packed away, but in this case, Moon’s style of painting makes the...
What is a colorist painter? In the 19th century, the painter and critic Eugène Fromentin assessed that the work of colorist artists engage hues that are “rare, tender, or powerful, but resolutely [achieved by] a man skillful in feeling distinctions, or in rendering...
Intertwining tradition, identity and memory, Jordan Nassar’s exhibition, “Surge,” turns large-scale Levantine embroidery and mosaics into sites of tactile continuity, connection and solace. These works serve as a means through which to understand his transnational...
There’s no trick of the moonlight at Rhea Dillon’s show, “Gestural Poetics.” Inside and out, each work happens twice. Dillon’s drawings, nestled in sapele mahogany boxes within the white cube gallery, enact two histories at once. While the moniker "sapele" hails from...
Dear Reader, In the early Artillery days, I assigned a writer to critique the films and videos that were showing in the sprawling 2007 MOCA exhibition, “WACK!: Art and the Feminist Revolution.” There were more than 20 films and videos included, mostly viewed on the...
For his untitled exhibition at Gaylord Apartments, Brad Kronz created what looked like a kind of deinstallation—the last few items left in an apartment before moving out, things you don’t know whether to leave or to stack on top of an already packed car: an auxiliary...
“Self is source. Self is pure positive energy. Self is worthy. Self is full of vitality. Self is healthy. Self is eager about life. Self is amazing.” One might imagine this incantation spoken in a low, meditative tone, as though by uttering the words with enough...
As a Korean-born queer person who was adopted at nine months by a conservative white Christian family in the Tennessee Bible Belt, Se Oh struggled for years with the trauma of rejection, including from their adoptive parents who believed that homosexuals don’t make it...
Zizipho Poswa’s monumental ceramic and bronze sculptures hold court like an enclave of demigods. While not figurative per se, they are anthropomorphic in the way all ceramic vessels are: All are additionally crowned with towering, ornate objects that radiate...
Long before it was called out as a public nuisance, the phenomenon of manspreading was exhaustively, perhaps definitively, documented by the German feminist artist Marianne Wex (1937–2020) in a wide-ranging collection of images titled “Let’s Take Back Our Space”...
Don’t be fooled by the name: The Pit in Atwater Village is a snake-free, gleaming, new 13,000 square-foot space, zippy with colorful work. After the first two galleries, there was a huge room devoted to “Cognitive Surge: Coach Stage,” a striking, memorable show of...
An escapist, fantasizing indulgence reverberated throughout Marc Camille Chaimowicz’s solo exhibition “Emma Dreaming of California.” Just as Gustave Flaubert’s Madame Bovary—from which Chaimowicz extracted his protagonist, recontextualizing Emma Bovary within...
At the retrospective “Judithe Hernández: Beyond Myself, Somewhere, I Wait for My Arrival,” mounted by The Cheech Marin Center for Chicano Art & Culture of the Riverside Art Museum, the full spectrum of an artistic career of more than 50 years was on view. Beyond...
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