Visual affinities extend throughout Sam Falls’ solo exhibition at Hannah Hoffman, suggesting relationships between natural phenomena and man-made objects, while also developing a thematic unity for Falls’ heterogeneous production. A pair of texturally rich photographs...
A descendent of samurai-era Bizen sword makers, Miya Ando was first introduced to metalworking as a child while living in a Japanese Buddhist Temple. In homage to her ancestral heritage, she has since looked to this medium (whose impermanent properties convey the...
Through her show, “Paper or Plastic?”, at the innovative Mixografia studio, Analia Saban breathes new life into plastic grocery bags while highlighting their vapidity as an aging commercial technology.In earlier bodies of work, Saban cast mundane objects in pure paint...
The black-and-white photographs of Carina Brandes, which capture her ritualistically enigmatic performances for a self-timed camera, suffer a paradoxical fate: they’re modestly powerful images grounded in a uniquely European sensibility, but ultimately leave little...
Standing erect on pedestals, Colette Robbins’ seven skeletal sculptures twist and bend like limbs, frown and gape like skulls, and yet they are clearly not figurative. Rather, the ethereal totems coax the mind to create fiction from their abstract...
For over 35 years Karla Klarins has painted the built landscape, now presented in a survey exhibition entitled “Subdividing the Landscape.” In the early 1980s she gained attention for her expressive and unique sculptural relief paintings of downtown Los Angeles...
While earlier exhibitions used horse racing as a point of departure and a metaphor, perhaps, for the handicapping aspect of the art world, “FROM HERE,” recently on view at Jenkins Johnson Gallery in San Francisco, focuses on artist Sadie Barnette’s impressions of her...
In Ellen Cantor’s restaging of Coming to Power: 25 Years of Sexually X-Plicit Art by Women, the landmark show that she originally curated in 1993 at the David Zwirner Gallery, there are the obvious standouts: Yoko Ono’s Object in Three Parts—Revolution (1966),...
Marc Horowitz, photo by Stefan Simchowitz, 2015. Marc is featured and interviewed by Christopher Michno.
Aside from the leering ancient goblin who haunted the bar at Richard Heller Gallery, Saturday night at the spooky Bergamot Station was perfect for any art-loving monster with a sense of humor. In order to gaze in pensive awe upon Andrew Ho’s drawings, we were first...
In the four-page press release for his show at Blum & Poe, the artist Mark Grotjahn lets us in on the little secret he “knew” as a young man: “Art could be whatever (he) wanted it to be.” That tenet would prove to save his ass when he decided to abandon the human...
“Please recall the name Medea,” asks the narrator in the opening minutes of Cara Benedetto’s video currently on view at Night Gallery. While conjuring the Greek mythological character who avenges her husband’s betrayal by killing their children, the video pans down...
We Americans live in interesting times. The old Chinese curse has come home to roost long before the country itself has supplanted our economic and cultural hegemony. We have more freedom, more choices generally – but we’re not equally informed or empowered to sort...
It’s Halloween and it’s about time I finished my walk-through of Guillermo del Toro’s reconfigured ‘Bleak House’ home/office/inspiration space in the Art of the Americas Building at LACMA. What, after all, could have been keeping me so long? Maybe I simply needed a...
NYC VISUAL & PERFORMANCE ARTIST GUY RICHARDS SMIT The Grossmalerman! Show November 11, FRIDAY, 8 p.m. Ace Hotel Downtown LA 929 S Broadway, LA 90015 This is a free event held at Segovia Hall featuring Jibz Cameron (Dynasty Handbag) The contemporary art...
“The sound of gunfire, off in the distance, / I’m getting used to it now….” The words are from a 1979 Talking Heads song, “Life During Wartime,” which inspired the title and concept for this group show of five artists – Sadie Barnette, Aaron Fowler, Farrah Karapetian,...
Sunday night was a wild one with the rare Los Angeles rain. This adventurous ride into Chinatown Sunday evening to watch Southland Ensemble presents John Cage: 1975-77 at Human Resources offered promise. The performance was a straightforward one-hour affair. Bedecked...
Constructed in a labyrinthine series of rooms, each claustrophobic space arranged around a faux fireplace and punctuated by cardboard forms that resemble felled trees, Stand-alone, Thomas Hirschhorn’s first solo exhibition in Los Angeles, intentionally overwhelms with...
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