Welcome to the blog’s first curated online exhibition! The call for entries was for work that had been inspired by recent politics. I’ve selected 12 from the many responses I received. They represent a variety of media and include work that was meant to be overtly...
Artist-run gallery spaces perform a unique balancing act. They offer less established artists the chance to refine the nuances of exhibiting work, develop a reputation for reliability, court the other gallerists and curators, and occasionally receive feedback. They’re...
As every year, since 2004, Zona Maco, one of the most important Latin American art fairs, was carried last week in Mexico City with the participation of more than 150 galleries. Founded by Mexican Zélika García, Zona Maco is such a big and social event in a city...
Saturday night we went to the LA Art Association’s “Make America” Show at Gallery 825. The original plan was to begin at Wallspace LA, a commercial gallery that typically represents street artists who sold their souls, but after one glance through the windows, we...
If there is a single word that could sum up the the career of László Moholy-Nagy, it would probably be refraction. The refraction of light is an obvious key, both with respect to Moholy’s overall formal approach and technical approach to his preferred media (and not...
Hudson Marquez, alumni of the art group Ant Farm and creator of The Cadillac Ranch, wants to make your sex life better—and it’s not by meds or therapy—it’s with his paintings of women’s stiletto high heel shoes. Marquez’ exhibition, "Welcome to Stiletto," at La Luz de...
Thanks to everyone who responded to last week’s survey about how politics is affecting you. According to the survey, a whole lot of us -- 84% -- are running around with our hair on fire! SurveyMonkey generates a word cloud based on text responses -- the more often a...
Gisela Colon’s “HYPER-MINIMAL” is a psychedelic futurist’s dream come true. The spacious Diane Rosenstein gallery is divided into a handful of rooms displaying fifteen new works. The works include two freestanding pieces, one of which is the Untitled (Monolith Silver)...
The plaintive title of Llyn Foulkes’ current exhibition – his first for Sprüth Magers – suggests we might be in for some mournful, if not downright bitter, riffs on laboriously trodden themes. This is not necessarily a drastic departure from the surreal dissonance of...
The initial idea of Human Resource’s Breaking Up With Amerikkka—a night to commiserate with friends, alcohol and music and get over the worst breakup ever (that with our country) with the help of karaoke breakup-songs—sounds like the most fun way to get over the...
I want to thank everyone who wrote supporting my political tirade after the inauguration (if you missed it, click here). There were also a few who weren’t so supportive and demanded to be removed from my mailing list. If you’ve been wondering where I’ve been, don't...
The relevancy of “Complejo de Cristo y Vampiros,” Carlos Ramirez’s first solo show at New Image Art, couldn’t be timelier given our new president’s executive orders on immigration. The American-born, Chicano artist and member of the artistic duo, The Date Farmers,...
Metamorphosis can refer to processes both natural and supernatural; but the works in Douglas Tausik Ryder’s exhibition of this title, while they reference the commonly understood biomorphic dimension, also encompass a much larger domain: the metamorphosis between...
As of late, queer art exhibitions have been popping up all over America. One such art show is “How Do I Look?: Shifting Representations in Queer Identifications,” which is on display at the Da Vinci Art Alliance in Philadelphia. In this review, I will surface the...
Rays of January Hollywood sunshine warmed the rooms at the Highland Gardens Hotel, which hosted the StARTup Art Fair last weekend. The show consisted of an eclectic array of 37 California artists, from sequined taxidermy (Emily Maddigan), to video installations in...
Half or more of the best new work in the last few years has been neither painting nor sculpture. —Donald Judd, Specific Objects 1965 When Donald Judd spoke of work that is a hybrid of painting and sculpture, one of the artists he was undoubtedly referring to was Frank...
Brendan Fowler is interested in the relationship between photography and material culture, and his works transform photographic images into something unexpected. He is best known for his "crash piece" series (exhibited at MOMA in New Photography 2013), in which he...
They gaze at us with supreme confidence. They are gods after all, aren’t they? Or leaders certainly – leaders of men. That is to say, soldiers – and they are all men, though anatomical details beyond the head are concealed beneath those often strikingly well-tailored...
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