JOHN WATERS’ BIRTHDAY CELEBRATION: THE NAKED TRUTH The Wallis
Can John Waters offend anyone these days? It hardly seems so. “I’m tired of being respectable,” he quipped at his show, “John Waters’ Birthday Celebration: The Naked Truth,” admitting he might be relatively mainstream today. He listed all his recent awards, and now he...
LOS ANGELES FESTIVAL OF MOVIES Artillery on the Street
DAY ONE Last night, Vidiots at Eagle Rock saw the start of the only weekend of the year where being an indie filmmaker in LA feels like it truly matters as much as it should. As the second edition of the Los Angeles Festival of Movies kicked off, current microbudget...
Desert X
Since 2017, I have been among the 1.7 million people who have participated in the art biennial-cum-treasure hunt to seek out large-scale, site-specific contemporary art installations scattered throughout the Coachella Valley desert, the land of the haves and...
CONVERSION at Cheremoya
The title of the two-person show at Cheremoya, “Conversion,” has a twofold implication: religious and material transformation. Calla Donofrio’s desaturated paintings depict acts of (sometimes sexual) violence that have been censored by parts of the image being blacked...
ROBERT RUSSELL at Anat Ebgi
In Robert Russell’s solo show “Stateless Objects,” lush paintings of solitary vessels and kitchenware float like apparitions on the walls of Anat Ebgi. A mix of Judaica—challah platters, kiddush cups, and the like—alongside porcelain teacups produced in pre-Holocaust...
JOHN WATERS’ BIRTHDAY CELEBRATION: THE NAKED TRUTH The Wallis
Can John Waters offend anyone these days? It hardly seems so. “I’m tired of being respectable,” he quipped at his show, “John Waters’ Birthday Celebration: The Naked Truth,” admitting he might be relatively mainstream today. He listed all his recent awards, and now he...