Recent Articles

Matthew Rose, Ashaway (Suicide Special), (2013). Photo: Victor Matussiere / Paris (

Matthew Rose’s Suicide Specials

Everything Touches Everything

“Our whole purpose was to integrate objects from the world of machines and industry in the world of art. Our typographical collages or montages set…

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"My morning cup told me it was going to be a good day."


Drew Barrymore’s special photographs

Find it in Everything is a slight hardcover book, newly published by Little Brown and Company, featuring Facebook-style photographs by Drew Barrymore. You can find…

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David Lynch, Change the Fuckin' Channel Fuckface, 2008-9
Photo Credit:  Robert Wedemeyer

David Lynch: One Frame at a Time

Lynch Lives the Art Life

Disillusioned with the politics of network television and the intricate financing of big studio films, filmmaker David Lynch has once again returned focus to his…

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Phyllis Diller

Phyllis Diller’s Greatest Work of Art: Herself

Anything for a Laugh

I always thought that Phyllis Diller’s public/comic persona (the hair, the toothy smile, the A-line dresses and feathery accessories, gloves, booties, cigarette and holder) was…

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Art Reviews

Expressionism in Germany and France: From Van Gogh to Kandinsky

Expressionism in Germany and France: From Van Gogh to Kandinsky

Marie Thibeault, Relic #3, 2014


Autonomie Projects
Untitled, 1968

John Altoon

Nancy Popp, Installation view, 2014

Nancy Popp at Klowden Mann

Klowden Mann / Los Angeles
DRUMROLL,1998 Colour video projection, triptych. Sound - 22 min 1 sec

Steve McQueen

MOCA Pacific Design Center
Tom Mueske, Shapes, 2014. Courtesy: Sonce Alexander Gallery

Tom Mueske

Sonce Alexander Gallery/Los Angeles
Alice Aycock, Hoodo (Laura) From the Series, “How to Catch and Manufacture Ghosts" –Vertical & Horizontal Cross-sections of the Ether Wind (1981), 1990/2012.

Alice Aycock

Santa Barbara Museum of Art; UC Santa Barbara, Art, Design, and Architecture Museum