J. Michael Walker, We Only Come to Sleep, We Only Come to Dream (Solo vinimos a dormir, solo vinimos a soñar), 1992

MEXICO as MUSE

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Margie Schnibbe with piece from latest series at her Silver Lake studio. Photo by Lynda Burdick

Hooking up with Margie Schnibbe

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Art Spiegelman Study for the Cover of RAW no. 7, The Torn-Again Graphic Mag. Mixed media. Ca. 1985

Art Spiegelman

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Fernando Corona’s mural “Miradas en Transito,” at the Instituto de Investigaciones Culturales Museo U.A.B.C., 2012, Photo by Marco Roche

IN LOVE WITH THE ANIMALS

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Installation shot of “Descartes” 2010 at MOLAA

MEXICO al MAXIMO

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Maya Lin, “11 Minute Line,” 2004, The Wanås

FIELD REPORT: WANAS

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← →
  • J. Michael Walker, We Only Come to Sleep, We Only Come to Dream (Solo vinimos a dormir, solo vinimos a soñar), 1992
  • Margie Schnibbe with piece from latest series at her Silver Lake studio. Photo by Lynda Burdick
  • Art Spiegelman Study for the Cover of RAW no. 7, The Torn-Again Graphic Mag. Mixed media. Ca. 1985
  • Fernando Corona’s mural “Miradas en Transito,” at the Instituto de Investigaciones Culturales Museo U.A.B.C., 2012, Photo by Marco Roche
  • Installation shot of “Descartes” 2010 at MOLAA
  • Maya Lin, “11 Minute Line,” 2004, The Wanås

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Doug Aitken, Fountain (Earth Fountain), 2012, Reeves, Courtesy The artist and BravinLee programs, New York

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Dorothea Tanning, Eclipse, 1966, Tanning: Image courtesy of the Dorothea Tanning Foundation and Gallery Wendi Norris, San Francisco



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Jennifer Reeves, I See Two Birds, 2012, Reeves, Courtesy The artist and BravinLee programs, New York

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Robert Ortbal, Beyond the Field, 2013

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Charles H. Tatum, Head of a Young Maiden, 1996

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JJ Peet: Floating Heads and Time Collector, 2013, Image courtesy of Redling Fine Art, Los Angeles

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Peter Soriano, Bagaduce #3, 2012 (detail), ©Peter Soriano, Photo courtesy Lennon, Weinberg, Inc., NY

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Althea Thauberger, Marat Sade Bohnice, 2012, performance and video, Courtesy the artist, Photo by Jan Faukner

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