Dear Readers, The biggest art news in Los Angeles today is the arrival of MOCA’s new director, Philippe Vergne, whom staff writer Ezrha Jean Black interviews for this issue. Although Artillery instantly voiced skepticism when his predecessor came on board a few years...
The word he kept returning to was “conversation,” which, under less pressing circumstances, might have described our interview, except that Philippe Vergne, MOCA’s new director, was on a something of a treadmill. He had scarcely been on the job 10 days, and had...
Mike Kelley said for years that he would agree to be profiled in Artillery. That was practically a running joke when we would see each other at art events. Finally, in early November 2011, I contacted him to make it happen. He emailed to say he was very busy but he...
Los Angeles TimesMike Kelley's "Deodorized Central Mass With Satellites," 1991-99, mixed media, shown at Perry Rubenstein Gallery in November 2012. (Perry Rubenstein Gallery) The list of creditors in a recent bankruptcy filing for the Perry Rubenstein Gallery in Los...
A special place exists within those fleeting moments transitioning from slumber into an awakened state. In those few seconds when dreamscape combines with reality, both a mild confusion and an eerie comfort sets in. Our mind sifts, sorts and makes sense of what is...
SandylandIt put me in a great mood (once I got past the shock of a $12(!) charge at the adjacent UCLA parking structure) going into Sandra Bernhard’s show at Royce Hall. Girls night out; (boys, too). Homecoming. Lots of anniversaries among that crowd over the last...
Starting this Sunday, the UCLA Hammer Museum in Los Angeles is admission free. And the free-for-all will have a new exhibit that tells viewers they can take it or leave it.Take It or Leave It: Institution, Image, Ideology is the first large-scale exhibition to...
Any time an artist can invoke Michelangelo and Steve Ditko in the same work, he deserves considerable respect. At least that is the feeling one gets from the impressive show of work by Jim Shaw recently on view at Blum & Poe. As expected, Shaw’s work is erudite...
During a studio visit, Jim Skuldt points out that milk crates around the world don’t come in a single standard size and shape, as one might have thought. He points to a few of his that are filled and stacked beneath a large desk and loaded onto roadie carts that came...
Since the 2012 opening of his eponymous Hollywood gallery, Perry Rubenstein has exerted considerable influence on the contemporary art world, while imbuing several exhibitions, such as his recent “The Humors,” with intellectual and symbolic perspectives that reference...
The Los Angeles Free Music Society had its original heyday back in the 1970s, as much a dada and LSD-inspired piss-take on the high seriousness of experimental music—these were the days when Stockhausen was God—as a shaggy-dog extension of the Zappa/Beefheart/Wildman...
"LACE auction this year was a blast. Pieces went for cheap... a Mike Kelley for only 3K, a Richard Jackson for about the same, Raymond Pettibon for a mere $4000. You missed it. And the liquor was flowing. Copious vodka drinks where the bartendars ending up getting...
The most interesting thing about Mexican superheroes is that the super is short for supernatural. Where such people in the English-speaking world might inhabit a science fiction, their Mexican counterparts exist in the realm of Magical Realism.
THERE IS SOMETHING VERY REASSURING—;for someone whose attention, unless riveted by something truly compelling, tends to wander—about being told by her interviewee, "I pride myself on my short attention span." Chances are, though, Dawn Kasper's span of attention,...
ELI LANGER'S RECENT SOLO SHOW IS AN ENCHANTING LANDSCAPE of nocturnal emissions and conversations. Seemingly crafted out of countless late nights spent in furtive dialogue with self, nature and others, the show offers suggestions of urban influences and psychological...
Dear Readers, In this issue of Artillery we’re featuring three stories on film. To tell you the truth, it wasn’t planned that way, but things just fell into place. Oddly enough, the three filmmakers represent a microcosm of hierarchical filmmaking. From acclaimed...
EXTRA! EXTRA! READ ALL ABOUT IT! ART STAR STOPS MAKING ART! That was going to be my headline after hearing the remark Mike Kelley made at the close of our interview. I was wrapping up our conversation, all ready to ask the final question, like Barbara Walters: "What's...
You have to be ready for almost anything when you enter a Mike Kelley show: a more or less conventional gallery view of objects or documents; a maze, matrix or mosaic of seemingly found or reconfigured objects; or an immersive multi-media experience of sculptural...
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