It’s been a productive year for Farrah Karapetian, a participant in “The Black Mirror” group show at the Diane Rosenstein Gallery, L.A. Louver’s 2013 “Rogue Wave” survey, and the 2013 California-Pacific Triennial at the Orange County Museum of Art. She has also been...
The title of Iva Gueorguieva’s show “Spill/Frame” seemed almost a naked admission of its strategies and ambition with a concomitant risk of crashing, careening failure. In almost all of the works on view there was both a willful, self-imposed notion of the edge or,...
Fragmented and contorted bodies in motion span the gallery as if onstage in Bettina Hubby’s exhibition “Pretty Limber.” Large-scale figures made of vinyl decals float across the space, wrapping around corners and emerging from the floor. Composited from numerous...
Through a process of intellectual, historical and geographic research, Alex Slade makes evident, and critiques thereby, the social forces that shape the American landscape. Landscape-oriented American photographers have been preoccupied with this issue since the...
The “Never Built” exhibition at the Architecture and Design (A+D) Museum on Wilshire unearths gems from Southern California’s architectural history. The idea originated in 2009, and its extensive research and carefully curated selection by Greg Goldin and Sam Lubell...
In Irene Hardwicke Olivieri’s Subterranean Family (2013), a large woman crouches, her body sinking into the earth, weighed down by a patchwork of introspective self-images. One curls in a sphinx-like pose, her feline tail circling behind her back, as she clutches a...
“Speaking Tongues (The material of communication)” introduces Duane Paul's considerable talent and ability in the artist's first solo exhibition. The show’s 12 works (all 2013) are divided into three sections or “dialect clusters:” six works on paper, two...
The buzz around San Francisco’s new art hub—near the Design District along a stretch of Utah Street and nearby Potrero—resonates throughout Jack Fischer’s expansive new space. Its inaugural exhibition, “Years of Pretty,” is a mini-retrospective of SF-based Ward...
Witnessing natural disasters, such as Hurricane Katrina, motivated Kevin Yates’ earlier works that employ motifs of reflection and twinning. Doubling continues with uncanny effect in new representations of decaying decorative/architectural elements, inspired by Edgar...
All indications are that Edmund de Waal is a polymath and a scholar. Deferring his place at Cambridge, he apprenticed himself for two years to study ceramics, then graduated with first class honors. In the ’90s he wrote a searching study on Bernard Leach, a prominent...
Someone keeps making an appearance in Eugene J. Martin’s work, and I have no idea who, but I still recognize an old friend. He might be just passing through, with not much in the way of legs on those big orange feet supporting a boxy red body. He might be the...
If sex has been around in art for so long, then why do O’Keeffe’s vulvalistic flowers generate so much special negative attention, as in the phrase, “Yeah, she’s good but I don’t like her—too obvious, too sexual.”? Is this because her sensually-charged paintings of...
London has an ancient history. Londinium was established on the current site of the City of London around 43 AD and served as a major commercial center for the Roman Empire. Since then it’s grown like layers of alluvial rock to create a complex palimpsest that from...
Steampunk is a recent Populist art movement that glorifies unique, handmade objects and fashion from the Brass Age, an era lasting from the first large scale manufacture of nautical brass around 1830 until the mid 1920s, when automobiles no longer used brass fittings....
“Insights into Architecture,” inspired by architectural photographer Ezra Stoller (1915–2004), who is known for chronicling modernist architecture from the late 1930s to the 1970s was on display at the Palm Springs Art Museum from May 25 to October 6. To comment on...
In a world where art is purchased to display as trophies, it can be hard to remember what a real art patron looks like. While researching my new favorite television station, I stumbled onto somebody who might qualify as the best art patron ever. The station is Classic...
Richard Tuttle said “There are artists who know from the bottom of their souls that art is about the experience of reality. The reason we have art is because you can’t get a real experience from the world.” David McDonald, whose most recent curatorial effort is...
The recent retrospective of photographer, performance artist and counterculture British punk icon, Linder, at Blum & Poe is a rigorous if somewhat hysterically provocative critique on gender roles, specifically the commoditization of female sexuality. Spanning...
Subscribe to our weekly Gallery Rounds Newsletter for new Reviews, Art opps, Art Events, & More every week!