The relevancy of “Complejo de Cristo y Vampiros,” Carlos Ramirez’s first solo show at New Image Art, couldn’t be timelier given our new president’s executive orders on immigration. The American-born, Chicano artist and member of the artistic duo, The Date Farmers,...
Metamorphosis can refer to processes both natural and supernatural; but the works in Douglas Tausik Ryder’s exhibition of this title, while they reference the commonly understood biomorphic dimension, also encompass a much larger domain: the metamorphosis between...
As of late, queer art exhibitions have been popping up all over America. One such art show is “How Do I Look?: Shifting Representations in Queer Identifications,” which is on display at the Da Vinci Art Alliance in Philadelphia. In this review, I will surface the...
Rays of January Hollywood sunshine warmed the rooms at the Highland Gardens Hotel, which hosted the StARTup Art Fair last weekend. The show consisted of an eclectic array of 37 California artists, from sequined taxidermy (Emily Maddigan), to video installations in...
Half or more of the best new work in the last few years has been neither painting nor sculpture. —Donald Judd, Specific Objects 1965 When Donald Judd spoke of work that is a hybrid of painting and sculpture, one of the artists he was undoubtedly referring to was Frank...
Brendan Fowler is interested in the relationship between photography and material culture, and his works transform photographic images into something unexpected. He is best known for his "crash piece" series (exhibited at MOMA in New Photography 2013), in which he...
They gaze at us with supreme confidence. They are gods after all, aren’t they? Or leaders certainly – leaders of men. That is to say, soldiers – and they are all men, though anatomical details beyond the head are concealed beneath those often strikingly well-tailored...
If it feels as if it’s been years since you saw work by Beverly Pepper, it probably has. I don’t think she was even included in the Hauser, Wirth & Schimmel “Revolution In the Making” debut show. Not revolutionary enough? Or too far from the madding crowd? Pepper...
I finally made my first visit to LA’s Broad museum this week. Even though it opened in September, I waited until I could easily get free tickets online rather than standing in a long line in front of the museum. Who are you trying to kid? You only went because you...
Lena Wolek's "Arbitraitor's Clauset" is clever in title and use of space. Arriving at her installation in the diminutive exhibition chamber misleadingly named "Egyptian Art & Antiques" feels like discovering a child's toy-room in a nondescript Beverly Hills office...
Los Angeles was just starting to glow with the encroaching night life as we rushed through the Convention Center, blindly searching for the LA Art Show (more directions please, we are simple beings). Racing against the clock, we chose to begin feasting (or violating,...
For those of us who grew up in America in the second half of the 20th century, especially the decades of the 1960s and 1970s, it would have been impossible to go through middle or high school without stumbling across certain staple school stationery supplies. One such...
The graffiti artist John Crash Matos, known simply as Crash, started spray-painting buildings and trains in New York City in his early teens. Before long, he transitioned to showing in galleries. Although he may not be as renowned as colleagues Shepard Fairey or Barry...
This Saturday, January 21st, one day after inauguration day, thousands will take to the streets in Washington D.C. for the Women's March in protest of the incoming president.Los Angeles, of course, could not sit this one out. Holding our own installment, Women's March...
Do you feel you are living in some bizarre parallel universe? Is your head spinning, your anxiety spiking? Are you starting to worry you’re on a watchlist because you’ve signed so many petitions? Are you breathlessly hoping that Penthouse gets the sex tape,...
Art galleries can be places where the mundane becomes divine, but as the front door of the Honor Fraser Gallery closed behind me, I knew that what I saw was what I was gonna get. In front of me was what appeared to be a selection of various types and lengths of...
The curators of Ecstasy, Virginia Broersma, Nick Brown and Kio Griffith, characterize their show as an “exhibition and lab” (the latter aspect of which may be more prominent in a couple of the objects by Candice Lin included here); but its installation has the airy...
It became clear to us during our first night of gallery hopping in 2017, that this year can only be better than last if we choose not to fear what we do not understand. It was a night of coming together—artists, gallery lovers and strangers alike …We talked about...
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