Prints and drawings by three generations of Inuit women offer a fascinating glimpse into remote Canadian Arctic life at the Armory Center for the Arts. "Akunnittinni," the show's Inuktitut title translated as "between us," fittingly summarizes its convergence of a...
Who said being an artist was easy? Today Japanese artist Yayoi Kusama is known as the top-selling woman artist in the world, but it’s hard to believe how many difficulties she had to overcome before she got to where she is now. Or perhaps, not so hard to...
There she is, as if alive. She is haunting and haunted; a Hollywood Miss Havisham in her crumbling mansion. She was once a real person, a somebody, a fond recollection. But now gone gray in her decaying cinema—with seating just for one—she resurrects herself nightly...
Dear Reader, The sky outside my office window is thick and hazy; the hot air dry and static. Los Angeles temperatures are hitting record highs and there’s no rain forecast for the foreseeable future. There are forest fires all over California, nearly apocalyptic in...
Ushering in the new era of Trump, a sea of pink at the 2017 Women’s March became the first undeniable sign of mass resistance. A resounding response to “grab ’em by the pussy” and other far-flung insults that characterized the presidential election. For a while, the...
Film and video artist Christopher Richmond has been interested in science fiction for as long as he can remember. When he was a kid, he rented videos based solely on the cover art; his favorites were sci-fi. “Any sort of surrealist landscape, I was sold,” he tells me...
While there’s nothing new about teenagers making parody videos—which have been a part of popular viral culture since the existence of strap on-webcams, :NSYNC and the boredom of teen years—a recent parody clip has transcended the form. What began as a typical pop...
The structure is made out of bamboo poles and stakes, secured with palm rope. It stretches from the side door leading out of the museum, crosses the small courtyard, and extends towards the street. The soft beige color of the Moso bamboo underscores the apparent...
The photographic tableaux of Los Angeles–based Parisian transplant Reine Paradis evoke an ambiguity of place. The central focal point of each is a solo figure, played by Paradis, typically costumed in an A-line mini or similarly chic garment fashioned from...
“Made in L.A.” has finally hits its stride—this fourth edition feels fresh with discoveries, both of artists you may know and many you may not. It features 32 artists, from emerging ones with promising talent to the exciting re-emergence of an artist who fell from the...
Congratulations to our winner Cole Case and our finalists. Cole Case's photo is seen above and first in ourphoto gallery. His image is also printed in our September/October issue of Artillery). The following photographs are the finalists from our September/October...
JUDY CHICAGO IN PASADENA “If men had babies, there would be thousands of images of the crowning,” Judy Chicago said in the early 1980s. The crowning is the moment the baby’s head begins to emerge from the birth canal. During a packed talk at the Women’s City Club of...
How to describe Gretchen Andrew’s practice? Her website proclaims her a “search engine artist and internet imperialist who programs her paintings to manipulate and dominate search results.” Piggy-backing on the Google phenomenon, Andrew has slyly infiltrated the World...
John Divola is fascinated with the ruins we leave behind. He’s a trespasser by trade, wandering into suburban homes that have been abandoned or condemned, using his camera to document forgotten living rooms that have been stripped of human comforts and left to random...
President Donald Trump is no fan of the arts. His first budget proposed entirely eliminating the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH). Congress saved both agencies by funding them in the current budget, but their...
I first realized I was an “anarchist”—somebody who doesn’t believe in government—when I first heard the word, probably when I was 11, right around the same time I figured out I was an “artist.” (I didn’t have to look that one up, though I probably should’ve.) I didn’t...
LACMA’s “In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art,” (through Sept. 9) starts with a gallery devoted to Siamak Filizadeh’s digital print series "Underground." This modern-day retelling of the reign of Naser al-Din Shah (r....
Subscribe to our weekly Gallery Rounds Newsletter for new Reviews, Art opps, Art Events, & More every week!