Over Memorial Day weekend, I trekked up to Altadena to visit “Field Set,” a two-day exhibition of works by sculptor Kelly Akashi and sound artist Phil Peters. I was hesitant about visiting Altadena. The sheer emptiness of the area is oppressive and as a longtime fan, but never a resident of Altadena, I was worried my presence was more interloper than exhibition visitor. The exhibition was located on the remains of Akashi’s home.



