The flattening of high and lowbrow imagery is certainly not new, indeed the painter Jason Fox has been mining this territory since the early 1990s. In his current show at David Kordansky Gallery, “Why Are You Sitting in the Dark?,” Fox refines his enigmatic...
Two big rooms of Mary Weatherford’s prodigious wall works still aren’t enough space to contain the mesmerizing views the artist generously presents in “The Surrealist” exhibition, which is a bold, seductive reminder of painting’s emotional power and material...
Breathless is not always an indication of on-coming medical crisis or pathology. Events (including cultural events) can stop us short or knock the wind out of us. And although the experience may be more common at live music events, it happens in galleries and museums,...
There has never been a year in Los Angeles—certainly not in this century, more probably the last 30 years—when our artists haven’t delivered something surprising, extraordinary, something to change the way we talk and think about and look at the world. This year was...
New York, New York! The art market is back, and here in SoCal we’re seeing it with a slew of New York galleries moving in. Pace’s “mergence” with Kayne Griffin is official, and I hear the new signage now bears the Pace name. Sean Kelly gallery is occupying a...
Jonas Wood’s highly patterned and flattened paintings take up all four gallery rooms at David Kordansky Gallery. Evoking the decorative arts, their inherently “attractive” quality reminds one of a painted mosaic. Wood created this affect by using deliberate linear...