conceptual art
COMICS
OUTSIDE LA: Katya Grokhovsky Smack Mellon, New York
Katya Grokhovsky is an artist and curator who explores the expectations of the American dream and the lived experiences of immigration to the US. Originally from Ukraine, Grokhovsky founded The Immigrant Artist Biennial, which launched last year despite many...
GALLERY ROUNDS: Ishi Glinsky Chris Sharp Gallery
Ishi Glinsky’s exhibition explores monuments of survival that honor the sacred practices of his tribe, the Tohono O’odham Nation, native to the Sonoran Desert in Arizona. Upon entering Chris Sharp Gallery I am instantly subsumed by Glinsky’s monolithically scaled...
GALLERY ROUNDS: Shockboxx Gallery "Dude Unmute Yourself" at Shockboxx Gallery
“Dude, Unmute Yourself” is a sprawling group exhibition of Shockboxx Gallery regulars that the pandemic-smart title reflects the need, particularly in these times, to speak out through art. A few highlights are in the backroom where Randi Matushevitz offers two...
GALLERY ROUNDS: Brenna Youngblood, “The LIGHT and the DARK” Roberts Projects
How we balance our individual experiences within the larger scope of our lives in many ways determines who we are, and how we understand and relate to the world around us. Reflecting on the dense and often traumatic events of the past year, which included a global...
Remarks on Color: Boorish Beige April's Hue
It’s true. Boorish Beige is quite ubiquitous with not much to say and one hell of a tan. He holds a monopoly on wall space in all the commercial buildings downtown and in many of the drab and dreary houses in the suburbs. It doesn’t seem to matter which country you...
Sherrie Levine: Sherrie Levine, Sherrie Levine Exhibition at Xavier Hufkens, Brussels
Part I: Lana Del Rey Some claimed that Lana Del Rey’s 2017 song “Get Free” was a rip-off of Radiohead’s iconic and self-masturbatory indie ballad “Creep,” which led to a rather unhinged and masculinist lawsuit. It seems that for women artists, homage or...
Paul McCarthy: Let ‘Em Eat Garbage
In much of his work, Paul McCarthy explores juvenilia to an uncomfortably advanced degree, finding profane inspiration in all things coprocentric and aesthetically offensive. But McCarthy’s current exhibition at the Hauser & Wirth Los Angeles gallery appears to...
MOCA takes a dump, bigly
There’s a new smell in town, and the best way to find the source is by following your nose down Grand Avenue to MOCA. Yeah, I thought it was coming from the room of stale, day-old Rothkos too, but it doesn’t take long to figure out that the odor comes from the R.M....
Andra Ursuta
Death becomes her, there really is no better way to describe Andra Ursuta’s first solo show in the US. Ursuta’s work has been dark, conceptual, sexually-charged and fueled by a death obsession; now fear is the impetus for creating a fictional graveyard in the Hammer...
Mike Kelley: Part 2
Mike Kelley said for years that he would agree to be profiled in Artillery. That was practically a running joke when we would see each other at art events. Finally, in early November 2011, I contacted him to make it happen. He emailed to say he was very busy but he...
Morgan Fisher
In artist-filmmaker Morgan Fisher’s fourth solo show with International Art Objects (formerly China Art Objects), vintage 1930s house paint samples are enlarged to three-by-four-foot panels and rendered in modern acrylic house paint. These color fields are taken from...
Legendary Provocateur
“Chris Burden: Extreme Measures,” at New York’s New Museum is the artist’s first major exhibition in the U.S. in over 25 years. A legendary provocateur, Burden has challenged traditional concepts of art through his galvanizing performance pieces and later...
