Hauser & Wirth Los Angeles opened three buzzy new gallery shows this Saturday: Louise Bourgeois: "The Red Sky;" Mark Bradford: "New Works;" and Geta Brătescu: "The Leaps of Aesop." Bradford’s large-scale, abstract paintings drew oohs and aahs for their stunning...
Did you know that PST isn't quite over? A few shows remain. If you missed key offerings, your best redress might be at Commonwealth & Council, whose main gallery Beatriz Cortez and Rafa Esparza have metamorphosed into a futurological forum for meditation on Latino...
Dion Johnson's abstract paintings inhabit hairline margins between technologic and handmade. The ten examples in "Feel the Sky," Johnson's decadal retrospective at Azusa Pacific University, chart his pictorial evolution while affirming his enduring interests. From...
Like most of the longer-standing buildings in the Fashion District in DTLA, their salient nature keeps them obscure. Unless its the Bendix Building with its glowing rooftop neon sign, it attracts art wanderers toward it like a moth to light. The building has made...
Given the fact that most spend their lives swathed in textiles, it's amazing how dismissively cloth is viewed. Concern for one's apparel is frequently considered a frivolous feminine purview; garments are treated as utilitarian throwaways to be manufactured in foreign...
In her last show with Rosenstein, Gisela Colon presented her first large free-standing object, a Parabolic Monolith that curved gracefully towards the gallery’s high ceiling and loomed over visitors. For Colon this was a notable translation of her light-and-space...
Entre le coucher de soleil et le clair de lune, les feux d’artifice nous appellent encore. There is something tragic about the decline of a great operatic voice. It’s a tragedy that encompasses all the smaller tragedies of decline – including our own individually...
Exciting art exhibitions opened all around town this past weekend, Eastside and West. At Durden and Ray in DTLA, “Book Club: Speedboat,” inspired by Renata Adler’s episodic 1976 novel, utilizes the concept of a book club to create a provocative, fun community event. A...
To striking effect, Finish Fetish painting binds erotic fetish photography in Alex Couwenberg and Steve Diet Goedde's exhibition at Coagula Curatorial. Titled simply "Collaboration," this show tenders surprisingly fecund explorations into how brightly hued abstract...
Curated by artist and photographer Arden Surdam, “Belt Friction,” the current group exhibition at Kopeikin Gallery, explores themes about the complexities of touch and categorizations of human contact. Belying the precision and stakes of the obscure engineering...
A little more than 40 years ago, I was home from school and living in an apartment in Westwood. I didn’t see my brother – who was also in Los Angeles that summer, freshly graduated from Yale – very often; but when I did or when we spoke over the phone, we would...
Artillery’s January/February 2018 Launch Party was held last Friday at the newest Hollywood hotspot, Station 1640. I’m ashamed to say I didn’t take the Metro there, although I will think better next time with the parking situation in Hollywood. The bar...
A must-see for abstract painting devotees, Xylor Jane's show at Parrasch Heijnen is aptly titled "Magic Square for Earthlings." Adhering to logic so bizarre as to have issued from outer space, her enchanting pictures do indeed appear to possess kinetic thaumaturgy as...
A simple reconfiguring of space at Wilding Cran has yielded a tiny, jewelbox of a gallery for small yet impactful exhibitions. Black Over White by Brazilian artist Maria Lynch is part of Pacific Standard Time LA/LA, the vast project supported by the Getty Foundation...
All weekend, the Westside was ablaze with art. StART Up Fair, located at The Kinney (no relation to our editor!) Hotel in Venice, featured over 67 artists in a series of terrific and eclectic motel-room installations. At Friday’s opening, performance artist Guta Galli...
Times change. In 1963, Hannah Arendt famously wrote about Adolf Eichmann and the “banality of evil”; in 2018 we get artist Rachel Feinstein exploring the evil of banality. It’s not just that the pieces at Secrets, her latest show at Gagosian, are banal, they’re...
Exciting art opened all over the greater Los Angeles area this past weekend, from Lancaster to Chinatown. Monica Wyatt’s exciting mixed-media show in Lancaster, "Continuum," drew a crowd north on the freeway to MOAH: CEDAR, curated by Jill Moniz. The adjunct gallery...
Jen DeNike and Katherine Bradford have converted Anat Ebgi's small secondary space, AE2, into a mysterious bipartite chamber dominated by the theme of people at sea. Superficially, these two divergent artists' collaboration seems surprising. Yet their palettes...
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