Dear Babs, I’m sick of the BS-way people in the art world talk so that most of us can’t understand them. Why can’t they just be okay with calling stuff beautiful and cool? Has the art world always been like this? Is it just to be exclusive, or is there a point I’m...
free country your voice on the phone in the dream is disinterested I miss you I say It’s a free country a moth falls through the door drunk on light the same one that flies out of my wallet how have I never seen him I think coming home —Evan Laffer STILL THE SAME...
“Nonmemory,” for the artist Mike Kelley, was something akin to his notorious usage of the “uncanny,” a theory borrowed from Freud wherein repressed memories emerge into disturbing feelings. In nonmemory, however, what has been forgotten stays so, and recollection is...
While Deana Lawson is known for her individual, staged photographs depicting African-Americans communities in interior and exterior environs, she also conceptualizes the entirety of her presentations, which often include casual snapshots displayed as collages. In...
Steve McQueen combines his filmmaker’s sense of scale, drama and cinematic history with his artist’s sensibility in Sunshine State (2022), a work of visceral impact and pointed message that is also rich in nuance, symbolism, connection, contradiction and emotion....
The opening for Kim Jones’ exhibition had a kind of homecoming spirit, reflected in its title, “Walking Home.” Several of Jones’ first post-graduate performance pieces in the 1970s were marathon “walks” between various landmarks in Los Angeles, performed in the...
“Humankind cannot bear very much reality,” remarked the poet who gave us The Wasteland, T.S. Eliot. The observation supports the standard explanation for the failings of our species to adequately address the climate crisis, the scope and scale of which are too...
Religious parochial dogma is often fraught with pedagogical conflicts in the spheres of doctrine, institutional curricula and, unsurprisingly—queer identity. Overlay these ideologies with Mexican-American cultural norms and concomitant conventions of masculinity, and...
In “Swamps and Ashes,” Sun Woo reflects on the contemporary desires and fears borne from our increasing interaction with and use of commodified technologies. Evoking visceral feelings against the backdrop of fantastical virtual environments, her paintings create a...
Psychedelic experience has some distinct qualities. One may experience hallucinations of shifting yet repetitive imagery. Random objects become supercharged with symbolic meaning. Reality dissolves into the purely visual. Time itself is revealed as an abstract...
Congratulations to our winner Matthew Hermosillo and our finalists, Hermosillo's photo is seen above and first in our photo gallery in the November/December 2023 online edition Artillery. The following photographs are the finalists. Please see the info below on how to...
Titled "Soft Moves," Casey Baden's show of bright and emotive paintings blends figures with abstracted organic backgrounds; her subjects' skin tones range from blues and purples to deep oranges reminiscent of Kirchner, and the plants and nature are reduced to...
The Converge 45 biennial initiative exists to forge a regional, national, and international artistic discourse, and to intentionally center certain aspects of those conversations within the Pacific Northwest arts ecosystem. Showcasing some 50 local, national, and...
I’ve always found the word “gilded” to be slippery. On a literal level, it refers to the application of paper-thin sheets of gold leaf, a technique that’s been around for millennia. Not only does the process coat and protect ordinary materials like wood or stone, but...
Nobody walks in Los Angeles but ducking out of the overheated concrete jungle and into “Between past and present/ Between appearance and memory,”—Soumya Netrabile’s vivid exhibition of wildlife, texture, line and color at Anat Ebgi—may inspire the urge to lace up your...
The theatricality and malaise of machines characterized by abundance, repetition, necessity, error and expansion, come into full play in Analia Saban’s latest body of work, “Synthetic Self,” which is simultaneously exhibited at Sprüth Magers and Tanya Bonakdar...
One could see the LA-based artist Jesse Mockrin’s decision to name her first solo exhibition in New York City and at James Cohan—“The Venus Effect,” after the art historical term, motif, and visual effect—as itself a gesture towards acknowledging, even inviting...
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